The Lunch on the Grass, 1863 by Edouard Manet
Canvas Print - 3338-MED

Location: Musee d'Orsay, Paris, France
Original Size: 208 x 264 cm
The Lunch on the Grass, 1863 | Manet | Giclée Canvas Print
The Lunch on the Grass | Manet, 1863 | Giclée Canvas Print

Giclée Canvas Print | $60.08 USD

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SKU:3338-MED
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 41.6 x 53.2 in
*Max framing size: Long side up to 28"

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"The Lunch on the Grass" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "The Lunch on the Grass" by Manet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Manet unveiled his groundbreaking nature when he submitted "The Lunch on the Grass", originally titled "The Bath," to the Salon in 1863. As expected, it faced rejection, and when displayed at the Salon des Refusés, an alternative exhibition initiated by Napoleon III, it sparked significant scandal and controversy. Both the public and critics were appalled, believing it to be a mockery of the esteemed Masters. While the combination of clothed men and unclothed women was acceptable in Giorgione's 17th-century "Pastoral Symphony" (c.1510) at the Louvre, a contemporary interpretation was deemed indecent.

Classical paintings often depicted nudes within a landscape, but Manet's decision to have the nude (Victorine Meurent, his preferred model) face the viewer directly, accompanied by a disorganized picnic, a heap of garments, and two fully dressed men (one being Manet's brother and the other, Rodolphe Leenhoff, his future brother-in-law) was considered offensive.

Even Théophile Thor (1807-69), a friend of the provocative poet Charles Baudelaire (1821-1867), dismissed the piece as an 'absurd composition,' only briefly acknowledging the qualities of light and color in the landscape and the accurate modeling of the woman's torso.

The emerging artists of the 1870s, later known as the Impressionists, saw the spirited Manet as their guiding figure and leader. However, he consistently maintained a professional distance from them and never participated in any of their group exhibitions.

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