Le Déjeuner sur l'herbe, 1863 by Édouard Manet
Canvas Print - 3338-MED

Location: Musée d'Orsay, Paris, France
Original Size: 208 × 264 cm

Le Déjeuner sur l'herbe by Manet (1863) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.6 × 53.2 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $72.97 USD

Your Selection

SKU:3338-MED
Print format
Print/Image Size
Production: 2 Workdays
Free Shipping
Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

Customize Your Print

Largest Available
41.6″ × 53.2″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

Height in
Width in

Looking for a painting that is not in our catalog?

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 16.9 × 21.7 in print therefore arrives as 19.3 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.6 × 53.2 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Manet's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 208 × 264 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Musée d'Orsay, Paris, France. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Manet unveiled his groundbreaking nature when he submitted "The Lunch on the Grass", originally titled "The Bath," to the Salon in 1863. As expected, it faced rejection, and when displayed at the Salon des Refusés, an alternative exhibition initiated by Napoleon III, it sparked significant scandal and controversy. Both the public and critics were appalled, believing it to be a mockery of the esteemed Masters. While the combination of clothed men and unclothed women was acceptable in Giorgione's 17th-century "Pastoral Symphony" (c.1510) at the Louvre, a contemporary interpretation was deemed indecent.

Classical paintings often depicted nudes within a landscape, but Manet's decision to have the nude (Victorine Meurent, his preferred model) face the viewer directly, accompanied by a disorganized picnic, a heap of garments, and two fully dressed men (one being Manet's brother and the other, Rodolphe Leenhoff, his future brother-in-law) was considered offensive.

Even Théophile Thor (1807-69), a friend of the provocative poet Charles Baudelaire (1821-1867), dismissed the piece as an 'absurd composition,' only briefly acknowledging the qualities of light and color in the landscape and the accurate modeling of the woman's torso.

The emerging artists of the 1870s, later known as the Impressionists, saw the spirited Manet as their guiding figure and leader. However, he consistently maintained a professional distance from them and never participated in any of their group exhibitions.

More Fine Art Prints by Manet

The Balcony by Édouard Manet, c.1868/69

The Balcony c.1868/69

Canvas Print
$67.03
SKU: 3339-MED
Édouard Manet
Original Size:170 × 124.5 cm
Musée d'Orsay, Paris, France
The Old Musician by Édouard Manet, 1862

The Old Musician 1862

Canvas Print
$70.59
SKU: 3340-MED
Édouard Manet
Original Size:187.4 × 248.2 cm
National Gallery of Art, Washington, USA
Oysters by Édouard Manet, 1862

Oysters 1862

Canvas Print
$61.58
SKU: 3341-MED
Édouard Manet
Original Size:39.1 × 46.7 cm
National Gallery of Art, Washington, USA
The Dead Toreador by Édouard Manet, c.1864

The Dead Toreador c.1864

Canvas Print
$61.58
SKU: 3342-MED
Édouard Manet
Original Size:76 × 153.3 cm
National Gallery of Art, Washington, USA
Still Life with Melon and Peaches by Édouard Manet, c.1866
SKU: 3343-MED
Édouard Manet
Original Size:69 × 92.2 cm
National Gallery of Art, Washington, USA
The Railway by Édouard Manet, 1873

The Railway 1873

Canvas Print
$76.02
SKU: 3344-MED
Édouard Manet
Original Size:93.3 × 111.5 cm
National Gallery of Art, Washington, USA
Plum Brandy by Édouard Manet, 1878

Plum Brandy 1878

Canvas Print
$61.58
SKU: 3345-MED
Édouard Manet
Original Size:73.6 × 50.2 cm
National Gallery of Art, Washington, USA
Masked Ball at the Opera by Édouard Manet, 1873
SKU: 3346-MED
Édouard Manet
Original Size:59 × 72.5 cm
National Gallery of Art, Washington, USA
Back to top