The Balcony, c.1868/69 by Edouard Manet
Canvas Print - 3339-MED
Location: Musee d'Orsay, Paris, FranceOriginal Size: 170 x 124.5 cm
Giclée Canvas Print | $58.61 USD
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*Max printing size: 55.1 x 39.6 in
*Max framing size: Long side up to 28"
"The Balcony" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Balcony" by Manet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Displayed at the Salon of 1869, this painting left the public perplexed. Despite their close proximity, the three figures within it lack personal interaction. A barely visible fourth figure is present. The Impressionist artist Berthe Morisot (1841-95), seated, receives the most detailed treatment and gazes intensely into the street. Fanny Claus (1846-77), the violinist, is depicted with a light touch, in stark contrast to Morisot, appearing ethereal and sketch-like. She gazes ahead while absentmindedly putting on her gloves. Antoine Guillemet (1843-1918), the landscape artist, also receives less detailed modeling than Morisot and looks ahead as well. However, all of them, posed as if for a formal photograph, avoid making eye contact with the viewer. The scene remains enigmatic, with the characters isolated within a frozen moment, untouched even by the presence of a small dog.
Contrary to the principles of Impressionism, "The Balcony" was painted in the studio. It exhibits a fiercely geometric composition: the shutters confine the spatial boundaries, the interior of the house appears black and flattened, and a horizontal railing cuts across the picture and divides the figures. The diagonal and vertical bars point towards each individual. The figures collectively form a triangular mass, while their bright heads, set against the dark backdrop, create another triangle, echoing the design of the balcony itself. Once again, Manet employs a limited color palette, emphasizing blacks and whites. The contrast of vibrant hues, such as the green shutters and balcony, the blue cravat, red fan, yellow gloves, and green umbrella, also generates their own directional forces within the canvas.
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