Double Portrait of Albert and Nikolaus Rubens, c.1626/27 by Peter Paul Rubens
Canvas Print - 3494-RPP

Location: Liechtenstein Museum, Vienna, Austria
Original Size: 157 × 93 cm

Double Portrait of Albert and Nikolaus Rubens by Rubens (c.1626/27) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 28 × 16.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:3494-RPP
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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28″ × 16.3″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 12.6 in print therefore arrives as 24 × 15 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 28 × 16.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Rubens's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 157 × 93 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Liechtenstein Museum, Vienna, Austria. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

By Isabella Brandt the artist had three children. His first-born daughter Clara Serena died at the age of twelve, and the mother died shortly afterwards, in 1626. The two sons Albert and Nikolaus are represented in this portrait. Without losing any of his adolescent freshness, Albert, aged about fourteen, has already assumed the posture of a young squire. In a black suit, with a large hat on his head, he is cross-legged, leaning against the pedestal of a column. The book he holds in his right hand shows that the carefree childhood has already passed for the proud Latin student. His younger brother, on the other hand, whom he seems to have protectively embraced with his left arm, can still afford childish amusements. Oblivious to the spectator, the colourfully dressed Nikolaus is absorbed in his play with the little bird.

The half-child, half-adult look of the big one, the little one still fully in the unencumbered world of the child, the brotherly affection that binds the two children whom the love and care of the father protects from the harsh reality all this Rubens has managed to convey in this masterly work. The artist's gift for understanding and characterizing the child in his innermost being is evidenced not only by numerous other portraits, but also by the mischievous cupids and angels in his painting. His own children sometimes posed for them, as well as for the images of the infant Christ and the little John. For example, he used the adorable drawing of the little Nikolaus with a coral chain for the figure of Jesus in the painting "The Virgin Mary Venerated by Penitent Sinners and by Saints" (Kassel), and the child's head from the Berlin Museum, we meet again with an angel in "Madonna with a Crown" (Munich). The oil study, attributed by some to Van Dyck, depicts the about two-year-old Albert, who - like his younger brother in the later double portrait - holds a bird tied by a string; the bird and the child's hands, however, were added only later by Rubens.

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