Lane near Arles (Side of a Country Lane), 1888 by Vincent van Gogh
Canvas Print - 10566-VVG

Location: Pomeranian State Museum, Greifswald, Germany
Original Size: 61 × 50 cm

Lane near Arles (Side of a Country Lane) by Vincent van Gogh (1888) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 26 × 21.4 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $77.33 USD

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SKU:10566-VVG
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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26″ × 21.4″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 17.9 in print therefore arrives as 24 × 20.2 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 26 × 21.4 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Vincent van Gogh's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 61 × 50 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Pomeranian State Museum, Greifswald, Germany. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Vincent van Gogh's *Lane near Arles*, painted in 1888, vibrates with an intensity of color and form that is unmistakably his own. What at first glance appears to be a simple rural scene—a house tucked away amidst fields, a road flanked by tall trees—reveals a far deeper connection to the land through Van Gogh’s vivid use of thick, energetic brushstrokes.

The sky dominates the painting, a swirl of azure hues that feels almost sculptural. There’s an intentional turbulence to it, as if the calmness of a bright summer day is offset by some unseen energy pulsing just beyond the horizon. In the center, a solitary house with warm orange tones stands in quiet contrast to the vivid greens and yellows of the surrounding fields, providing a sense of both serenity and isolation. The narrow lane cutting diagonally through the foreground draws our eyes inward, inviting us to follow it, as though we could stroll into the painting itself.

But it’s the trees that seem to have the most presence—almost as living figures in their own right. Their crowns, dense and bursting with rich greens, seem to leap off the canvas. The texture Van Gogh creates with his layering of color is palpable; you can almost feel the roughness of the bark, the soft rustling of leaves in the breeze.

This is not merely a depiction of a landscape; it’s an immersion into the emotional landscape of Van Gogh himself. The vitality in each stroke, the dynamic movement in the composition—everything pulses with life. It’s a painting that speaks to Van Gogh’s relentless search for solace and beauty in the everyday world.

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