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East Hampton, 1916 by Thomas Moran
Canvas Print - 17113-MOT

Location: Private Collection
Original Size: 51.4 × 76.8 cm

East Hampton by Thomas Moran (1916) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 20 × 29.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

East Hampton by Thomas Moran, 1916 - canvas print
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Giclée Canvas Print | $62.68 USD

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SKU:17113-MOT
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
20″ × 29.9″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 14.5 × 21.7 in print therefore arrives as 16.9 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 20 × 29.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Thomas Moran's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 51.4 × 76.8 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a private collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

This landscape painting by Thomas Moran, titled East Hampton, 1916, is a masterful depiction of the American wilderness, brimming with both the sublime and the tranquil. The scene captures a sweeping view of a countryside path meandering through a lush landscape, leading our eyes towards a distant horizon where storm clouds gather ominously.

Moran, known for his association with the Hudson River School, here exhibits a deep understanding of nature’s grandeur and its fickle moods. The sky dominates the composition, with towering cumulus clouds rolling in, their dark undersides suggesting an impending storm. Yet, this is not a scene of pure foreboding; the bright patches of sunlight breaking through the clouds and illuminating the terrain below introduce a serene counterpoint to the impending weather.

The land itself is a rich tapestry of texture and color. The soft, sandy path contrasts beautifully with the verdant grasses and dense, amber-colored foliage, which might suggest the onset of autumn. The way the path snakes through the scene, leading the viewer from the foreground to the background, exemplifies Moran’s skill in creating depth and inviting the viewer into the scene.

There is a certain Romanticism here, in the balance of light and dark, of calm and storm, that speaks to Moran’s ability to evoke both the beauty and the power of nature. The painting is not merely a depiction of a place; it is a mood, an atmosphere, a moment suspended in time, where the land meets the sky in an eternal dance of elements.

More Fine Art Prints by Thomas Moran

Grand Canyon in Mist by Thomas Moran, 1915

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Coconino Pines and Cliff, Arizona by Thomas Moran, 1902

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Conway Castle by Thomas Moran, 1917

Conway Castle 1917
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Sunset on Long Island by Thomas Moran, 1901

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Mountain of the Holy Cross by Thomas Moran, 1890

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View of Venice by Thomas Moran, 1888

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Tower at Tower Falls, Yellowstone by Thomas Moran, 1872

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Original Size:36.2 × 26.4 cm
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