Coconino Pines and Cliff, Arizona, 1902 by Thomas Moran
Canvas Print - 17116-MOT

Location: Private Collection
Original Size: 50.8 x 76.2 cm
Coconino Pines and Cliff, Arizona, 1902 | Thomas Moran | Giclée Canvas Print
Coconino Pines and Cliff, Arizona | Thomas Moran, 1902 | Giclée Canvas Print

Giclée Canvas Print | $51.69 USD

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SKU:17116-MOT
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 16.2 x 24 in
*Max framing size: Long side up to 28"

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"Coconino Pines and Cliff, Arizona" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Coconino Pines and Cliff, Arizona" by Thomas Moran, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Thomas Moran - the darling of American landscape painting, here giving us his 1902 work, “Coconino Pines and Cliff, Arizona.” Let’s be honest, there’s something almost too cinematic about it, isn’t there? It’s like a postcard from the frontier, polished and perfected. The cliffs practically glow under that soft, buttery light, as if they were put there just to bask in it. The sky, with its brushstrokes of white clouds, doesn’t rage with drama, but whispers calm. This is Moran showing off - but in that “look what I can do” kind of way.

The composition, I must say, is classic Moran. He loves a grandiose vertical element, like the tree here - a monument in itself, rising into the frame. It’s almost too neatly positioned, standing guard at the edge of this idyllic scene. You’ve got this dramatic depth - layers upon layers of earth and foliage leading your eye to that distant peak in the back, which, surprise surprise, looks perfectly illuminated. It’s Moran’s way of creating a stage for nature, every element performing its role without ever missing a beat.

And then, the colors. He goes full steam with the warm vs. cool dichotomy. Those cliffs are practically on fire with yellows and oranges, glowing like the pages of a romanticized novel about the American West, while the foreground is deep, shadowy, and green - but not too threatening. It’s comforting, even. The whole thing feels a bit too perfect, really. Moran’s painting is stunning, yes, but it’s also a reminder that he knows exactly how to make nature look like a dream - polished, picturesque, and ever so slightly unreal.

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