Tiger, Lion and Leopard Hunt, 1616 by Peter Paul Rubens
Canvas Print - 3475-RPP

Location: Musée des Beaux-Arts de Rennes, France
Original Size: 256 × 324 cm

Tiger, Lion and Leopard Hunt by Rubens (1616) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 32.3 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $73.24 USD

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SKU:3475-RPP
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
32.3″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 16.9 × 21.7 in print therefore arrives as 19.3 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 32.3 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Rubens's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 256 × 324 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Musée des Beaux-Arts de Rennes, France. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Peter Paul Rubens’ *Tiger, Lion and Leopard Hunt* (1616) is a visual symphony of controlled chaos and exuberant energy. This is Rubens at his most theatrical, creating a tightly woven tapestry of action, where human and animal forms blur into a whirlwind of violence and grace. The figures – muscular hunters, their faces locked in expressions of grim determination, and the wild animals they battle – are locked in a primal dance of survival. Rubens constructs the composition in such a way that the viewer is thrust into the very heart of this struggle, as though the scene is on the verge of bursting from the canvas.

What’s remarkable here is Rubens' command of movement. The swirling circular composition propels the eye through the painting, from the rearing horse to the grappling hunters and writhing animals. The palette is rich, dominated by the warm reds and golds of the hunters' attire, contrasting with the earthy tones of the animals and the cool blue sky in the distance. Rubens’ technical virtuosity is evident in the varying textures – the roughness of the animal’s fur, the smooth gleam of metal armor, the soft billowing fabrics – all rendered with astonishing detail and care.

Rubens takes what could have been a chaotic scene and imposes a sense of order. The central horse, its white form glowing against the darker background, anchors the composition. Surrounding it, the figures are engaged in an intense battle, yet there is a deliberate choreography to their placement, an ebb and flow of action that gives the painting its dramatic rhythm. It’s a celebration of power – both human and animal – but also a meditation on the fragility of control. The scene is not just a hunt, but a metaphor for humanity’s eternal struggle with nature. In Rubens' hands, the brute force of the moment is elevated into something monumental, heroic, and deeply resonant.

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