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Saint Jerome, 1610 by Peter Paul Rubens
Canvas Print - 19201-RPP

Location: Sanssouci Palace, Potsdam, Germany
Original Size: 185.5 × 135.5 cm

Saint Jerome by Rubens (1610) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 33.9 × 24.5 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Saint Jerome by Peter Paul Rubens, 1610 - canvas print
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Giclée Canvas Print | $67.79 USD

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SKU:19201-RPP
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
33.9″ × 24.5″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 15.7 in print therefore arrives as 24 × 18 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 33.9 × 24.5 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Rubens's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 185.5 × 135.5 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Sanssouci Palace, Potsdam, Germany. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

A remarkable work by Rubens from the first years after his return from Italy is St. Hieronymus" in Sanssouci, which was only in more recent times recognized as an authentic work of his. The imposing figure of the half-naked saint reflects the influences Rubens received from Michelangelo's work. A depiction of Hieronymus by the Renaissance master, known only as an engraving, served as his model. The crossed legs can be seen in much the same position in the Erythraean Sibyl in the Sistine Chapel; during his frequent visits to Rome, Rubens studied Michelangelo's ceiling frescoes in the Sistine Chapel in detail and made pencil copies of the individual figures. From the classical art of the South he also borrowed the figures of the two angels, although their casual poses are entirely in the spirit of his Flemish vision. While Hieronymus, one of the four Church Fathers of the West, works lost in deep thought over the translation of the Bible, the little mischief-makers play merrily. One is stamping his foot on the pet lion, the saint's constant companion; the other, who has wings, has written something on a parchment scroll and is blowing with puffed cheeks on the feathered hand. The scythes of the three figures are painted with almost calligraphic precision. The keen eye for detail, which is evident in the accumulated books and writing implements on the table, speaks to the Dutch origin of the master.

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