What an Unbranded Cow Has Cost, 1895 by Frederic Remington
Canvas Print - 17017-RGN

Location: Yale University Art Gallery, New Haven, USA
Original Size: 71.3 × 109.2 cm

What an Unbranded Cow Has Cost by Frederic Remington (1895) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 26.8 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:17017-RGN
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
26.8″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 14.1 × 21.7 in print therefore arrives as 16.4 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 26.8 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Frederic Remington's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 71.3 × 109.2 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Yale University Art Gallery, New Haven, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

The story behind this painting unfolds in the late nineteenth century, where the lawless plains of the American frontier became a battleground for the so-called “cattle wars.” The struggle over an unbranded cow—a trivial detail on the surface—here becomes a symbol of rampant, sometimes tragic, disputes among ranchers. While the artist ostensibly intended to glorify the cowboy, the desolate aftermath hints at how such myths were already crumbling in the face of social change. One sees how these plains, once the stage for freedom and individualism, were gradually being subsumed by powerful cattle barons, displacing smaller homesteaders in the process.

Even before noting how the figures are arranged, one senses that the composition is designed to lead the eye from the bleak foreground to the horizon, where distant riders hover in a pale, dreamlike space. The shooting has ended, but the tension remains palpable. There is a sharp visual pull toward the central standing cowboy, his revolver still pointed, with fallen horses and men scattered around him. This arrangement pulls the viewer’s vision outward in circular sweeps, capturing the aftermath of violence and the sobering cost of a single confrontation.

What grips the viewer next is the raw depiction of survival. The central figure stands resolute, his stance reminiscent of a man abruptly confronted with his own mortality. You see the bodies sprawled across the sandy terrain, each figure telling a grim tale of the fallen—both human and horse. The color palette’s muted browns, grays, and thin, searing yellows conjure a place that feels at once vast and hostile. These subdued hues highlight the oppressive sunlight and underscore the dryness that clings to every inch of the canvas. Light emerges on the horizon but offers no solace, serving more as a distant beacon of change than a comforting glow.

On a technical level, the brushwork balances clarity and suggestion. The foreground retains crisp detail, grounding the violence in unsettling realism, while the background melts into a softer haze, evoking the dreamlike heat of the desert. This deft handling elevates the emotional pitch without descending into melodrama. Instead, the painting conveys the stark truth of the frontier’s frailty. The mythic cowboy, far from a triumphant conqueror, stands amid carnage that signals the end of an era. As such, this unsettling scene remains a poignant marker of how America’s nostalgic visions of the West were colliding with the realities of modern expansion.

More Fine Art Prints by Frederic Remington

The Emigrants by Frederic Remington, c.1904

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The Flight (A Sage-Brush Pioneer) by Frederic Remington, 1895
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The Scout by Frederic Remington, c.1902

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Aiding a Comrade by Frederic Remington, c.1889/90

Aiding a Comrade c.1889/90

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The Blanket Signal by Frederic Remington, c.1896

The Blanket Signal c.1896

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The Hussar by Frederic Remington, 1893

The Hussar 1893

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Scouts Climbing a Mountain by Frederic Remington, 1891
SKU: 17024-RGN
Frederic Remington
Original Size:109.2 × 51 cm
Museum of Fine Arts, Houston, USA
The Parley by Frederic Remington, 1903

The Parley 1903

Canvas Print
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SKU: 17025-RGN
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Original Size:76.5 × 130 cm
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