The Three Graces by Raffaello Sanzio Raphael
Fine Art Paper Print - 11345-RSA

Location: Private Collection
Original Size: 22.6 × 27 cm

The Three Graces by Raphael is reproduced as a museum-quality giclée fine art paper print. Printed with archival inks on 180 g/m² paper and hand-varnished for UV protection, it can be made in any size up to 11.9 × 14.2 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Fine Art Paper Print | $58.33 USD

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SKU:11345-RSA
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Giclée Print Quality on 180 g/m² Fine Art Paper, Matt

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11.9″ × 14.2″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank paper on every side for framing.

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Questions about this Print

The size you set is the printed image, the part you see once the print is framed. Beyond that size we add 1.2 in of blank paper on every side, at no extra cost, so your framer has room to work. A 8.9 × 10.6 in print therefore arrives as 11.3 × 13 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 11.9 × 14.2 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is a work on paper: a watercolor, pastel, etching or drawing. We match the print medium to the original: works on paper go on fine art paper, oil paintings go on canvas. Our paper is pure cotton, 180 g/m² Fine Art Paper, finely textured and matte, free of optical brighteners, acids and lignin. It carries the dark densities and the fine detail of Raphael's original without any shine. More about our print media.

Start with the original, which measures 22.6 × 27 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a private collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Raffaello Sanzio, known simply as Raphael, takes us on a sublime journey into the classical world with his delicate and exquisite rendering of "The Three Graces." What we're looking at here isn't just a study of the human form; it’s a poetic celebration of beauty, grace, and the divine proportions that the Renaissance so dearly cherished.

Raphael's mastery is evident in the fluidity of the lines, the gentle contours of the figures, and the harmonious composition. These three nude figures are entwined in a dance-like pose, each one turned slightly differently, giving us a full view of the feminine form from varying angles. Their bodies, drawn with a sense of anatomical precision yet softened with idealized perfection, appear almost weightless as they interact with an unseen rhythm, perhaps echoing the ancient Greek ideal of beauty and symmetry.

The use of red chalk, a material that Raphael favored in his studies, adds a warmth and intimacy to the scene. The figures emerge from the page with a certain ethereal quality, as if they are suspended in time. Notice how the middle figure, with her serene expression and gently tilted head, acts as a focal point, drawing us into the subtle choreography of the piece. The faint gestures, like the pointing arm on the right, create a sense of movement that is both restrained and fluid, capturing the ephemeral nature of grace itself.

This drawing, though simple in its execution, is a testament to Raphael’s ability to blend observation with imagination, creating not just a study of the human form but an ode to the timeless elegance that defines his work.

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