The Transfiguration, c.1519/20 by Raffaello Sanzio Raphael
Canvas Print - 11354-RSA

Location: Pinacoteca Vaticana, Vatican, Vatican City
Original Size: 405 × 278 cm

The Transfiguration by Raphael (c.1519/20) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 33.9 × 23.2 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $63.99 USD

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SKU:11354-RSA
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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33.9″ × 23.2″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 14.8 in print therefore arrives as 24 × 17.2 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 33.9 × 23.2 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Raphael's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 405 × 278 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Pinacoteca Vaticana, Vatican, Vatican City. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In "The Transfiguration," Raphael creates a vision that hovers between the divine and the terrestrial, a dramatic composition that pulls the viewer into two simultaneous realities. Above, Christ floats in radiant light, his figure transfigured, surrounded by the prophets Moses and Elijah, while below, the apostles and a crowd of ordinary people struggle in confusion and despair. Raphael masterfully contrasts these two worlds: the serene, transcendent figures bathed in glowing light above, and the chaotic, earthbound turmoil below. It is a juxtaposition of divine serenity against human suffering - two forces bound together by the tension of the composition itself.

The upper half of the painting radiates with a sublime calm. Christ, draped in white, hovers effortlessly, his arms outstretched in a pose that foreshadows his ultimate sacrifice. The palette here is cool and celestial, with the blues of the sky and the pale glow of the clouds accentuating the transcendence of the moment. Raphael’s handling of light is exquisite, as it surrounds Christ in an ethereal glow, signaling his divinity. Moses and Elijah, too, are rendered with grace, their flowing robes lending them a timeless, unearthly quality.

Below, Raphael immerses us in the grit of earthly existence. The possessed boy, his body contorted in agony, becomes the center of a swirling human drama. The apostles are helpless, their arms gesturing wildly, pointing, reaching, but offering no solution. The colors here - the deep reds, greens, and golds - are saturated with urgency, contrasting sharply with the cool tones of the heavenly realm above. The figures are densely packed, the scene full of movement and anxiety, drawing the viewer into the emotional weight of the moment.

What makes "The Transfiguration" so powerful is the dialogue between these two halves. Raphael doesn’t simply contrast heaven and earth; he shows how they are interconnected. The miraculous and the mundane coexist in this painting, as the figures below are desperate for the divine intervention taking place above. The brushwork is both delicate and forceful, soft in the celestial light, yet bold and dynamic in the lower half’s expressions of struggle and need.

In this final work, Raphael captures the complexity of human faith - the longing for salvation, the recognition of suffering, and the hope for divine grace. "The Transfiguration" is a masterful synthesis of the spiritual and the earthly, a visual meditation on the mysteries of faith and the fragility of life, all rendered with Raphael’s characteristic elegance and emotional depth.

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