Cliveden on Thames, 1807 by Joseph Mallord William Turner
Canvas Print - 14456-TJW

Location: Tate Gallery, London, UK
Original Size: 28.4 × 58.4 cm

Cliveden on Thames by J. M. W. Turner (1807) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 20.1 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:14456-TJW
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
20.1″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 11.2 × 23 in print therefore arrives as 13.5 × 25.4 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 20.1 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of J. M. W. Turner's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 28.4 × 58.4 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Tate Gallery, London, UK. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Joseph Mallord William Turner’s "Cliveden on Thames" from 1807 is a subtle yet captivating landscape that signals his developing mastery over light and atmosphere. At first glance, this serene scene seems like a gentle observation of pastoral life, but its depth reveals Turner’s evolving genius.

The painting centers on the quiet river, where cattle wade through shallow waters, and a modest ferry awaits passengers. Turner’s ability to portray water is remarkable; the surface reflects the muted sky and soft silhouettes of the trees, suggesting a moment of stillness, just before dusk. It is this interplay between light and water that hints at Turner’s future fascination with atmospheric effects.

The modest buildings in the background, likely farmhouses or cottages, are rendered in soft, earthy tones, harmonizing with the surrounding foliage. The trees, dense with dark green and ochre shades, create a thick canopy that contrasts beautifully against the lighter horizon. Turner uses light strategically, diffusing it over the village and the riverbank, giving the impression of the sun dipping behind the hills.

There’s a distinct sense of tranquility here, but also an undertone of change. Turner’s brushstrokes, especially in the trees and sky, show an artist who is increasingly confident in breaking away from strict realism. The composition is balanced, with the darker foreground framing the scene, inviting the viewer to drift deeper into the landscape, much like the river itself.

This painting is Turner’s quiet tribute to the English countryside, capturing its timeless beauty while foreshadowing the bolder, atmospheric work that would later define his career.

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