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Ida in an Interior, 1904 by Vilhelm Hammershøi
Canvas Print - 15475-HAV

Location: Private Collection
Original Size: 39 × 30 cm

Ida in an Interior by Hammershøi (1904) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 24 × 18.5 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Ida in an Interior by Vilhelm Hammershøi, 1904 - canvas print
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Giclée Canvas Print | $61.60 USD

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SKU:15475-HAV
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Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
24″ × 18.5″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 15.4 × 11.8 in print therefore arrives as 17.7 × 14.2 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 24 × 18.5 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Hammershøi's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 39 × 30 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a private collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Vilhelm Hammershøi’s Ida in an Interior (1904) is a haunting meditation on silence and solitude. It portrays Ida, the artist's wife, standing with her back turned to the viewer, her presence quietly absorbed in the muted ambiance of the room. Hammershøi is a master of the understated, and here he presents a space that feels as though it's on the brink of dissolving into nothingness. The walls, painted in subdued tones of grey and off-white, are barren, save for the subtle architectural details that give them form. The light, pale and restrained, drifts into the room with the hesitant grace of a whisper.

Hammershøi’s composition draws the eye inward, past Ida’s black dress that merges almost seamlessly with the dim interior, towards a doorway that leads to another empty, shadowed room. Beyond that, a window, offering a glimpse of the world outside, is partially obscured by a grid of wooden panes, trapping the light and creating a sense of confinement.

The painting is an exercise in emotional austerity. The palpable stillness speaks to a deeper existential quietude, a reflection of Hammershøi's fascination with introspection and the void that often accompanies the domestic sphere. It is not just a portrait of Ida, but a portrayal of absence—a void made visible. There is something profoundly modern in Hammershøi’s work, a psychological depth that resonates with the viewer, suggesting that the emptiness within the room mirrors an emptiness within the self.

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