Swaying Dancer (Dancer in Green), c.1877/79 by Hilaire Germain Edgar Degas
Paper Art Print - 11878-DEE

Location: Thyssen-Bornemisza Museum, Madrid, Spain
Original Size: 64 × 36 cm

Own a museum-grade giclée Paper Art Print of Swaying Dancer (Dancer in Green) by Edgar Degas (c.1877/79). It is printed with archival pigments on 180 g/m² paper and hand-varnished with a UV-protective layer. Set your exact proportional size—anything up to 25.2 × 14.1 in, with optional framing. Free worldwide shipping for rolled artworks. Unframed prints ship within 48 h, framed prints in 7-8 days. Guaranteed 100-year color durability.

Swaying Dancer (Dancer in Green), c.1877/79 | Edgar Degas | Giclée Paper Art Print

Giclée Paper Print | $53.56 USD

Your Selection

SKU:11878-DEE
Print Size

Customize Your Print

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 25.2 × 14.1 in
*Max framing size: Long side up to 28"

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Your Questions Answered: Fine Art Prints, Framing, Care & Delivery

Giclée Print Quality 180 g/m² Fine Art Paper (Matt) + 1.2 in Blank Borders 100+ Year Colour Guarantee Free WorldWide Shipping!

Most people search for “canvas print” or “wall art” - but what they’re really looking for is a giclée print: a museum-grade reproduction of the original masterpiece, printed with archival pigment inks on fine art canvas.

Giclée (pronounced 'zhee-clay') is a French term meaning 'to spray,' referring to how ink is precisely sprayed onto canvas or paper, creating incredibly detailed fine art prints. It’s the gold standard in museum-quality printing, loved by artists, galleries, and museums worldwide.

Your artwork will be individually printed on fine art paper, using archival inks. The result is outstanding color accuracy, exceptional detail, and an artwork that genuinely resembles the original—not just another poster. With a protective UV coating, your paper print will stay vibrant, fade-resistant, and beautiful for over a century.

About Giclée Fine Art Printing

Here's a simple trick: use painter’s tape to mark the print size directly on your wall, and step back to see how it feels. Generally, larger sizes around 36 in wide work beautifully in living rooms or open spaces. Medium sizes around 24 in fit nicely in bedrooms, hallways, or offices. Hanging it above a sofa? Choose a print that's roughly two-thirds the width of your couch. Still unsure? Start with our popular 21.7 × 12.1 in size—it fits comfortably in most spaces!

For a more artistic approach: choosing a size closer to the original artwork ensures you experience the artist’s intended visual impact and authenticity. Of course, since most of us don't live in spacious baroque palaces, your available space and personal taste should ultimately guide your decision.

In many cases, yes! If you need a specific size to fit a particular space or frame, feel free to reach out—we're happy to see what’s possible. Because each print is made to order, we can often accommodate custom dimensions as long as they respect the proportions of the original painting.Just send us an email at info@topartprint.com with the title of the artwork and the size you're looking for. We’ll get back to you quickly with options and pricing.

Good to know: when you choose the size of your artwork, the Print Size shown in the Your Selection box refers to the actual image area—that’s the part you’ll see once the canvas is stretched or framed.

The Total Size includes an additional 1.2 in white border on each side, added specifically for stretching.
So yes—this white border is added on top of your selected print size. You get the full artwork at the dimensions you picked, plus extra canvas to make stretching smooth and professional.

For example, if you select a 21.7 × 12.1 in print, the full canvas you receive will measure 24.0 × 14.4 in—giving your framer plenty of room to create a clean, gallery-quality stretch.

Both options are wonderful choices! Going unframed gives you maximum flexibility—you can take your print to a local framing shop for personalized options and expert advice tailored to your décor. This is especially great if you have specific design ideas or want to match existing frames in your home.

However, keep in mind that a print truly comes to life when properly framed. Art professionals often say: 'The frame contributes 30% of the artwork’s overall impact.' A well-chosen frame elevates and completes your print.

If you choose our framing option, your print will arrive professionally framed and ready to hang right out of the box. We focus exclusively on traditional framing methods, ensuring every artwork receives the respectful presentation it deserves—this is why we don't offer gallery wrap options.

Important shipping note: Due to courier restrictions, we can ship framed prints up to 28 in on the longest side. Larger prints will arrive safely rolled in a tube, ready for you to frame locally.

For more detailed information, please see our complete guide to fine art framing methods.

We've chosen this fine art paper specifically for Swaying Dancer (Dancer in Green) because it perfectly captures the subtleties of Edgar Degas's work. Made from pure cotton with a gentle texture and matte finish, this 180 g/m² paper brings out details you might miss on lesser materials.
What sets our paper apart? It's completely natural—no optical brighteners, acids, or lignin that could affect the colors over time. This means your print stays true to the original for decades to come. The paper excels at reproducing deep, rich darks while maintaining incredible detail in the highlights, capturing every nuance with remarkable precision.
Simply put, we offer this painting on this specific medium because it's the best way to honor the original artwork and ensure you receive a print worthy of displaying in your home.

Every print is made just for you—no mass production here! Once you place your order, we begin creating your Swaying Dancer (Dancer in Green) print with care and precision.

Unframed prints are crafted in 1–3 business days.
Framed prints take 7–8 business days to build and finish.

Shipping options:
Standard Delivery (Free): Up to two unframed prints per order, provided that the short side does not exceed 59 cm (approx. 23 inches), with delivery in 10–14 working days.
Express Shipping: Delivered in 2–4 working days; costs vary by weight, volume, and destination. After adding the artwork to your cart, use the Shipping estimates tool there for exact pricing.

Note for framed prints: Because they’re bulkier and higher-value, framed artworks ship only via express tracked service and do not qualify for free standard delivery.

Packaging:
Unframed prints: Safely rolled in postal tubes.
Framed prints: Packed in reinforced boxes with corner protectors and bubble wrap.

You’ll receive a tracking number as soon as your order leaves our studio—so you can follow every step of its journey!

It’s super easy! Your giclée print is designed to last over 100 years when properly displayed. We’ve already applied a UV-protective varnish, so there’s no need for any extra treatments on your part.

Just follow these simple tips:
  • Hang your print away from direct sunlight and high humidity
  • Dust gently with a soft, dry cloth if needed
  • Avoid touching the printed surface directly
  • Keep the room temperature relatively stable
That’s it! With these basic precautions, your Edgar Degas print will retain its vibrant colors and pristine condition for generations to come.

We want you to truly love your art. Since each piece is custom-made just for you, we kindly recommend double-checking the size and details before placing your order. But if something’s not right—especially in terms of quality—we’re here to help and will make it right.

We offer a 30-day return policy and accept returns for items damaged during shipping. Our return process is simple and straightforward:
Step 1 – Let us know: Send an email to info@topartprint.com with your order number and a brief explanation of the issue.
Step 2 – Send it back: We’ll reply with clear instructions for returning the print. Please return it in its original packaging and in good condition. You cover return shipping (unless we sent a damaged/incorrect item). After inspection, we'll send a replacement or refund the product price.
Please note: shipping costs are non-refundable.

For framed artworks: Since framed prints are handcrafted specifically for your order, returns are accepted only at our discretion and require a valid reason. But don’t worry—our support team is friendly, responsive, and ready to assist.

About the Painting

Swaying Dancer (Dancer in Green) presents a precisely observed view of ballerinas in mid-performance, captured at an oblique angle that places the viewer high above the stage. The central figure, shown in a full-length turn, anchors the composition with an outstretched arm and raised leg. Her vivid green tutu and lithe form dominate the foreground, while the surrounding dancers - partially cropped and dressed in contrasting orange - hint at a more expansive scene beyond the edge of the canvas. This truncation, derived from photographic and Japanese-print influences, underscores the painting’s sense of spontaneity and modernity.

The color palette favors vibrant green for the main performer, offset by flecks of orange on the other costumes. The background, a shadowy suggestion of set pieces and foliage, dissolves into loose strokes that shift focus back to the dancers themselves. These bold chromatic choices underscore the interplay of cool and warm tones, guiding the eye in rhythmic alternation across the figures. Rather than relying on stark contrast, the artist creates unity with balanced harmonies, deftly capturing the theatrical lighting that both illuminates the dancers and leaves their environs in partial obscurity.

The technique employed reveals a mastery of pastel. Rapid strokes describe tulle, ribbons, and limbs in motion, while smudged areas convey a fleeting, dreamlike quality befitting a performance captured at its peak. Layering pigments allows subtle modulation of tone, especially in the airy tutus, which appear both diaphanous and texturally rich. This variety of mark-making reflects an intention to record the dancers’ swift passages without sacrificing detail.

Compositionally, the off-centered arrangement places the focal figure near the vertical axis of the paper but shifted to one side, creating a diagonal sweep that leads our gaze from her extended limb toward the group in the rear. Such an asymmetrical layout imbues the painting with movement, reflecting contemporary interests in framing and cropping. By positioning the viewer as an unseen spectator in an opera box, the artist evokes the bustle and immediacy of the performance, a contrast to earlier traditions that favored static, centered subjects.

In the broader context of late 19th-century Paris, the fascination with modern leisure activities and the newly opened opera house finds clear expression here. The dancers’ poised yet hurried maneuvers embody the Impressionist preoccupation with capturing fleeting moments of daily life. Through dynamic composition, nuanced color relationships, and expert pastel handling, the painting remains a remarkable testament to the era’s aesthetic and cultural shifts.

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