The Deluge, c.1911 by Léon François Comerre
Canvas Print - 14083-COL

Location: Musée d'Arts de Nantes, France
Original Size: 345 × 448 cm

The Deluge by Léon Comerre (c.1911) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 30.4 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $68.81 USD

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SKU:14083-COL
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
30.4″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 15.9 × 21.7 in print therefore arrives as 18.3 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 30.4 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Léon Comerre's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 345 × 448 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Musée d'Arts de Nantes, France. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Leon Francois Comerre’s "The Deluge," painted in 1911, is an extraordinary visual onslaught that grabs you by the collar and refuses to let go. This apocalyptic tableau is a raw, visceral rendition of humanity’s struggle against nature’s relentless fury. The scene is chaotic, yet meticulously composed, with a heap of writhing bodies at its center. Men, women, children, and animals, all caught in a desperate fight for survival, form a tragic pyramid against the torrential downpour and the rising waters.

Comerre’s brushwork is astonishingly dynamic; the rain slashes across the canvas with palpable intensity, turning the entire composition into a blur of motion and emotion. The figures are rendered with a classical sensitivity to form, their contorted poses and anguished expressions capturing the terror and hopelessness of the moment. There’s a haunting beauty in their despair, as if Comerre found a way to make suffering aesthetically compelling.

The lighting in the painting is masterful, with flashes of lightning illuminating the scene in stark, dramatic contrasts. This chiaroscuro effect heightens the sense of drama and enhances the three-dimensionality of the figures, making them almost leap off the canvas. Comerre doesn’t shy away from the grotesque; the bodies are twisted and mangled, some already succumbing to the flood, adding a morbid realism to the scene.

In "The Deluge," Comerre has created more than just a painting; he’s delivered a harrowing narrative of human fragility and the capricious power of nature. It’s a gripping visual epic that lingers in the mind, a testament to Comerre’s skill and his profound understanding of the human condition under duress.

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