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Still Life with Flowers, c.1650/60 by Jan Davidsz de Heem
Canvas Print - 16376-HJD

Location: Museum der bildenden Künste Leipzig, Germany
Original Size: 90.8 × 68.6 cm

Still Life with Flowers by Jan Davidsz de Heem (c.1650/60) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 28 × 20.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Still Life with Flowers by Jan Davidsz de Heem, c.1650/60 - canvas print
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Giclée Canvas Print | $70.14 USD

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SKU:16376-HJD
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Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
28″ × 20.9″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 16.2 in print therefore arrives as 24 × 18.5 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 28 × 20.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Jan Davidsz de Heem's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 90.8 × 68.6 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Museum der bildenden Künste Leipzig, Germany. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Jan Davidsz de Heem’s "Still Life with Flowers" is an act of precision, but not the cold, clinical kind - it’s more like watching a juggler at work, where everything could fall apart at any moment, yet somehow doesn’t. The flowers seem to hover in an impossible equilibrium. It’s a bouquet on the verge of collapse, but De Heem holds it all together with a painterly skill that feels effortless, even though you know it’s anything but. The tulips – proud, almost garish – are positioned like royal figures, their petals streaked in reds and whites that seem too perfect to be real. Then there are the peonies, soft and vulnerable, balancing out the brashness of their floral companions.

De Heem paints with a kind of quiet intensity. His colors are deep and lush, almost absurdly so, but there’s a restraint at work too. The dark background functions like the void - it swallows all the excess, leaving the flowers to float in this almost theatrical spotlight. The light is carefully rationed, picking out individual petals and stems, but never overwhelming the whole. It’s a kind of control that never feels forced, just right.

The composition feels like life itself - teeming, abundant, messy, but with an underlying order that only reveals itself if you look long enough. And it’s not just the flowers. There’s that sneaky little snail, the cracked corn husk, the odd pods - these subtle gestures toward decay. De Heem never lets you forget that even in the height of beauty, things are always unraveling. It’s a memento mori wrapped in opulence, a tension between life and its inevitable end.

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