Wheatfield, 1888 by Vincent van Gogh
Canvas Print - 1276-VVG

Location: Rijksmuseum, Amsterdam, Netherlands
Original Size: 50 × 61 cm

Wheatfield by Vincent van Gogh (1888) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 22.9 × 27.6 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $77.84 USD

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SKU:1276-VVG
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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22.9″ × 27.6″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 18 × 21.7 in print therefore arrives as 20.4 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 22.9 × 27.6 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Vincent van Gogh's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 50 × 61 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Rijksmuseum, Amsterdam, Netherlands. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

“Wheatfield” (1888) by Vincent van Gogh stands as an arresting study in contrasts - both in color and in emotion. Here, Van Gogh takes us to the vast, golden expanse of a wheatfield in Arles, set beneath a pale, expansive sky. The wheat is at the center of this landscape, occupying nearly the entire canvas and enveloping the viewer in a sea of yellow. It's an unbroken field, stretching to the horizon, punctuated only by a solitary farmhouse with a slanted red roof and a line of distant trees. The high horizon pushes the eye downwards, keeping the viewer’s gaze firmly anchored in the field of wheat, emphasizing its breadth and the overwhelming isolation of this rural setting.

The color palette is characteristically Van Gogh, with the wheat painted in intense yellows and ochres that shift subtly under the painter's brush, almost vibrating with an inner energy. This field isn’t merely a quiet landscape; it’s alive, a restless place where each stalk seems to sway independently, shaped by Van Gogh’s short, thick strokes. Against this golden mass, the sky and distant hills provide a relief in cool blues and greens, creating a balance that’s both calming and unsettling. Van Gogh’s use of color here is not naturalistic but emotional, with the golden wheat and blue sky creating a visceral contrast that speaks to his fascination - and obsession - with the land around him.

Technically, “Wheatfield” is a testament to Van Gogh’s unconventional approach to brushwork. His strokes are directional, almost sculptural, each one capturing the texture of the wheatfield in a way that feels tangible. He doesn’t paint the field as a smooth surface but rather as a collection of individual lines and marks, each one contributing to the painting’s sense of movement. The result is a field that feels simultaneously static and alive, a place caught in the tension between reality and Van Gogh’s own internal storm.

Compositionally, Van Gogh’s choices guide the viewer’s eye in subtle, rhythmic waves across the field, following the brushstrokes that flow horizontally, yet with a slight upward thrust toward the farmhouse and trees. This compositional structure creates a sense of depth, of space extending far beyond the confines of the canvas. Yet, there’s also a feeling of claustrophobia, as if the field stretches on forever - a vastness that’s both liberating and suffocating.

In 1888, Van Gogh’s departure from the bustling Parisian art scene to the countryside of Arles was an attempt to reconnect with a simpler, more profound existence. In “Wheatfield,” he captures this sense of rural solitude, but also an existential angst. The golden wheat is beautiful but unyielding, the blue sky vast but indifferent. Through his colors, brushwork, and composition, Van Gogh reveals not merely a landscape but a reflection of his own psyche - a vision of nature that is as much about human experience as it is about the land itself.

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