Wheat Field with Crows, 1890 by Vincent van Gogh
Canvas Print - 1239-VVG

Location: Van Gogh Museum, Amsterdam, Netherlands
Original Size: 50.5 × 103 cm

Wheat Field with Crows by Vincent van Gogh (1890) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 20.3 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:1239-VVG
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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20.3″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 10.6 × 21.7 in print therefore arrives as 13 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 20.3 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Vincent van Gogh's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 50.5 × 103 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Van Gogh Museum, Amsterdam, Netherlands. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Color lies at the heart of this painting’s allure. The vibrant yellow wheat, punctuated by ochre undertones, stands in fierce opposition to a tumultuous sky of ultramarine and deeper blues. Thin clouds drift across the upper edge, momentarily disrupting the intensity of that dominating blue mass. Meanwhile, the path’s muted red-browns and the adjoining patches of green grass form a quiet yet vital counterpoint to the more forceful hues, creating a balanced tension across the canvas.

Yet it is the artist’s brushwork that brings urgency to each element. Wide, restless strokes sweep through the wheat, conveying a field caught in a gust of wind. In the sky, swirling applications of paint mirror the atmosphere’s charged mood, offering a psychological dimension that suggests more than mere meteorological drama. There is a sense of direct engagement, as though the paint were grappling with the forces of nature to express states of mind.

The composition, anchored by a central pathway abruptly disappearing into the horizon, further intensifies this undercurrent of tension. One’s gaze moves forward along that route, only to meet the uncertainty of its sudden end. Overhead, a flock of crows streams across the sky, lending a note of ominous vitality. Much has been made of these avian shapes as symbols of foreboding, and although romantic interpretations often claim this to be among the artist’s final works, the reality is more nuanced. Van Gogh completed other paintings after this one, suggesting a continued wrestle between life and the pull of darker thoughts.

Historical and personal layers enrich the reading of this scene. The artist once wrote of wanting to portray both desolation and a sense of inner strength found in rural solitude. That duality emerges vividly in the contrast between the brooding sky above and the luminous wheat below. Instead of offering a neat conclusion, the painting pushes us into an encounter with conflicting emotions, made all the more palpable by those color clashes and the tactile presence of paint. In this meeting of sorrow and resilience, one glimpses a singular vision - a testament to the countryside’s capacity to both unsettle and sustain.

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