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Pine Trees and Dandelions in the Garden, 1890 by Vincent van Gogh
Canvas Print - 1206-VVG

Location: Kröller-Müller Museum, Otterlo, Netherlands
Original Size: 72 × 90 cm

Pine Trees and Dandelions in the Garden by Vincent van Gogh (1890) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 28 × 35.4 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Pine Trees and Dandelions in the Garden by Vincent van Gogh, 1890 - canvas print
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Giclée Canvas Print | $73.96 USD

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SKU:1206-VVG
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
28″ × 35.4″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 17.1 × 21.7 in print therefore arrives as 19.4 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 28 × 35.4 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Vincent van Gogh's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 72 × 90 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Kröller-Müller Museum, Otterlo, Netherlands. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

"Pine Trees and Dandelions in the Garden," 1890. This is Van Gogh in full nature-loving mode, but not the tidy, pastoral vision of a garden that some might expect. No, Van Gogh isn’t giving us a neatly trimmed landscape here. This is a chaotic symphony of growth, of life running riot - untamed and unapologetically wild. It’s as if the plants are trying to escape the canvas, each blade of grass, every dandelion seed, caught mid-motion, caught in a frenzy of existence.

Look at those pine trees first. They’re gnarled and textured, painted in those thick, tactile lines that Van Gogh uses so well. The bark isn’t just bark; it’s alive with rhythm and energy. There’s something almost primal in the way he renders them, as if he’s communicating with nature, feeling the grooves and cracks of the trunks in his very bones.

And then the field - a chaotic tumble of yellow and green. Dandelions are scattered across the scene, not as delicate little flowers, but as bold, unapologetic splashes of color. They’re not arranged nicely, are they? They don’t "pose." No, they’re everywhere, as if the garden has taken over, as if nature is asserting its raw dominance over the human hand that planted it.

Van Gogh’s brushwork is, of course, relentless. Short, fierce strokes carve the composition out of pure energy. The colors - well, what can you say? That piercing yellow is almost aggressive, the greens vibrant, so intense they practically vibrate. He paints like the world is on fire, and we’re just watching it burn beautifully.

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