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Landscape with Trees and Figures, 1889 by Vincent van Gogh
Canvas Print - 1183-VVG

Location: Baltimore Museum of Art, USA
Original Size: 49.9 × 65.4 cm

Landscape with Trees and Figures by Vincent van Gogh (1889) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 22.8 × 29.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Landscape with Trees and Figures by Vincent van Gogh, 1889 - canvas print
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Giclée Canvas Print | $71.54 USD

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SKU:1183-VVG
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
22.8″ × 29.9″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 16.5 × 21.7 in print therefore arrives as 18.9 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 22.8 × 29.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Vincent van Gogh's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 49.9 × 65.4 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Baltimore Museum of Art, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Vincent van Gogh’s "Landscape with Trees and Figures" from 1889 is a rich celebration of nature's untamed energy. The first thing that grabs you is the palpable movement — the entire canvas is alive with Van Gogh's characteristic swirling, dynamic brushstrokes. The trees in the foreground are particularly vibrant, their forms twisted and bending as if caught mid-sway by an unseen wind. This motion is further emphasized by the way the ground beneath them curves and ripples, reminding us that nature, for Van Gogh, is never static but always teeming with life.

The figures, though present, seem secondary to the landscape itself. They are small, almost incidental, as though they’ve been absorbed into the broader rhythm of the natural world. One of the figures, possibly a farmer or a laborer, can be seen to the right, their blue form contrasting starkly with the earthy tones of the trees and the land. This is not a scene of dramatic human activity, but rather a quiet coexistence with nature. The figure’s posture — slightly hunched, almost as if in contemplation — mirrors the humble, understated presence of humanity in this vast world.

Van Gogh’s color palette here is a symphony of greens, yellows, and browns, all layered with thick, confident strokes. The sky, though less dominant, is made up of dashes of blue and gray, as if suggesting the onset of evening or an impending storm. It’s a landscape on the verge, bursting with tension but somehow grounded in its own wild harmony. The painting, like much of Van Gogh’s work from this period, pulsates with life, emotion, and an unshakable connection to the natural world.

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