Alessandro Vittoria, c.1580 by Paolo Cagliari Veronese
Canvas Print - 19529-VPC

Location: Metropolitan Museum of Art, New York, USA
Original Size: 110.5 × 82 cm

Alessandro Vittoria by Veronese (c.1580) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 30.7 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $70.10 USD

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SKU:19529-VPC
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 30.7″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 16.1 in print therefore arrives as 24 × 18.4 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 30.7 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Veronese's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 110.5 × 82 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Metropolitan Museum of Art, New York, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In the compelling portrait of Alessandro Vittoria by Paolo Veronese, painted around 1580, we find ourselves in the presence of not just a man, but a formidable sculptor, captured in his element. The artist Veronese, a Venetian master known for his grandiose and vibrant compositions, here turns his hand to something more intimate yet equally profound.

The subject, Vittoria, gazes out at us with a mix of calm assurance and introspection, his left hand confidently holding a statuette—a demonstration of his craft and a symbol of his identity. His right hand rests on the table, almost in mid-gesture, perhaps indicating his continuous engagement with the creative process. The bust on the table, another of his sculptural works, adds a further layer to this narrative, underscoring the intimate relationship between the artist and his creations.

Veronese’s brushwork is subtle, with the dark, almost monochromatic clothing of Vittoria serving as a stark contrast to the soft, polished marble of the sculptures. This juxtaposition not only emphasizes the tactile nature of Vittoria’s medium but also highlights his hands—the tools of his trade—imbuing them with a quiet power. The detailed, decorative tablecloth adds a touch of the exotic, reminding us of the opulence of the Venetian world in which both painter and sculptor thrived.

In this portrait, Veronese not only presents a likeness of Vittoria but encapsulates the essence of artistic endeavor—a meditation on the creation and the creator, perfectly poised in a moment of silent reflection.

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Boy with a Greyhound by Paolo Cagliari Veronese, 1570s

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The Rape of Europa by Paolo Cagliari Veronese, c.1576/80
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