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Grand Canal, Venice, 1898 by Thomas Moran
Canvas Print - 17077-MOT

Location: Public Collection
Original Size: 36.2 × 51.4 cm

Grand Canal, Venice by Thomas Moran (1898) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 16.9 × 24 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Grand Canal, Venice by Thomas Moran, 1898 - canvas print
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Giclée Canvas Print | $61.81 USD

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SKU:17077-MOT
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
16.9″ × 24″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 14.3 × 20.2 in print therefore arrives as 16.6 × 22.6 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 16.9 × 24 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Thomas Moran's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 36.2 × 51.4 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a public collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Thomas Moran’s "Grand Canal, Venice, 1898" is a shimmering masterwork of atmospheric brilliance, capturing the ethereal beauty of Venice at sunset. The painting, an exquisite portrayal of the Grand Canal, is a visual symphony of light and color that emanates a serene yet vibrant energy.

The scene is bathed in the warm, golden hues of the setting sun, which casts a radiant glow over the tranquil waters of the canal. The sky, a dramatic tapestry of oranges, pinks, and purples, blends seamlessly into the calm, reflective surface of the water, creating an almost otherworldly mirror effect. This interplay of light and reflection is quintessentially Moran, showcasing his skill in capturing the fleeting moments of natural beauty.

In the foreground, gondolas and boats, rendered with meticulous detail, gently float on the water, their sails catching the last light of the day. The bustling activity of the vessels contrasts with the serene, majestic architecture of Venice in the background. The iconic silhouette of St. Mark’s Campanile towers over the scene, a sentinel watching over the city. To its left, the domes of the Basilica di Santa Maria della Salute rise gracefully, adding to the architectural splendor that defines Venice.

Moran’s use of light is masterful, the way he orchestrates the natural illumination to highlight the details and textures of the cityscape and water. The painting is not just a visual representation but an emotional journey, inviting the viewer to bask in the tranquil beauty of Venice and lose oneself in the harmonious blend of nature and architecture. It’s a celebration of a moment in time, forever captured with a painter’s loving precision.

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Venice by Thomas Moran, 1898

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The Juniata, Evening by Thomas Moran, 1864

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Venice by Thomas Moran, 1900

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