Woman Drinking Wine, c.1656/57 by Gerard Ter Borch
Canvas Print - 149-GTB

Location: Städel Museum, Frankfurt, Germany
Original Size: 37.5 × 28.7 cm

Woman Drinking Wine by Gerard ter Borch (c.1656/57) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 35.4 × 27.1 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.89 USD

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SKU:149-GTB
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
35.4″ × 27.1″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 14.8 × 11.3 in print therefore arrives as 17.1 × 13.7 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 35.4 × 27.1 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Gerard ter Borch's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 37.5 × 28.7 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Städel Museum, Frankfurt, Germany. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

The interior unfolds in subdued light, revealing a young woman seated at a wooden table. She wears a modest hood and shawl, while her hands occupy themselves with a wine jug and a delicate glass. Nearby, a sheet of paper and a quill lie waiting, hinting at an unwritten letter or perhaps a hesitant confession. The background is dominated by a grand canopy bed, its drapery lending a sense of gravity to the moment. The scene feels quietly charged, as though the next action could confirm a private resolve or spark a fresh complication.

The color palette is subtle yet purposeful. Ter Borch blends soft grays and earthy browns with muted yellows, allowing the warm notes of her bodice and the red of the chair to stand out. The contrast plays on the tension between restraint and indulgence—an interplay intensified by the presence of the wine. Light seems to gently graze the woman’s face, illuminating her hesitation as she contemplates whether to commit her words to paper. The subdued palette enhances the contemplative atmosphere, reflecting the social caution of the period and the painting’s quiet introspection.

Ter Borch’s brushwork is measured, with particular attention given to the texture of fabrics. One observes his delicate treatment of the woman’s sleeve and the subtle depiction of the jug’s ceramic surface. The background curtains feel almost tangible, the folds rendered with restrained highlights that suggest depth rather than announcing it. The artist’s focus on nuance encourages a closer inspection of each meticulously rendered fold, from the crinkled paper on the desk to the drapery’s gentle cascades.

Compositionally, the figure is thoughtfully anchored by the table and the warm-toned chair, ensuring that our gaze is drawn first to her face and then to the instruments of writing. The canopy bed looms behind, hinting at the moral and social subtext—alcohol in the presence of a bed could be read as improper, especially for a woman of this era. Such cultural apprehensions were common in the 17th century, reinforcing the suggestion that she seeks courage before composing a letter, perhaps to a lover. This quietly resonant piece encapsulates the delicacy of personal choice and the social boundaries that shape it. The visual elements and the careful interplay of light and color encourage reflection on the unspoken narrative, leaving the viewer to ponder her next move.

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Woman Peeling Apples by Gerard Ter Borch, 1660

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Boy Ridding his Dog of Fleas by Gerard Ter Borch, c.1665
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The Ratification of the Treaty of Munster, 15 May 1648 by Gerard Ter Borch, 1648
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Portrait of a Woman by Gerard Ter Borch, 1681

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