Men and Machine, 1934 by Stuart Davis
Canvas Print - 19558-STD

Location: Metropolitan Museum of Art, New York, USA
Original Size: 81.3 × 101.6 cm

Men and Machine by Stuart Davis (1934) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 25 × 31.5 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $73.98 USD

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SKU:19558-STD
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
25″ × 31.5″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 17.2 × 21.7 in print therefore arrives as 19.5 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 25 × 31.5 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Stuart Davis's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 81.3 × 101.6 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Metropolitan Museum of Art, New York, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

The interwar period in New York bred a whirlwind of ambition, and the painting’s construction site motif captures that drive with a remarkable sense of immediacy. Two figures stand in the foreground, backs turned, absorbed by what appears to be the embryonic skeleton of a building. It is an urban vista composed of bold outlines that swirl across a clean, white background, evoking scaffolding and mechanized apparatus. The architectural lines are crisply angular, suggesting a bold, self-assured vision of modern progress - one that resonates with the artist’s fascination with industry and the masculine identity attached to it.

In this piece, the restricted palette plays a pivotal role. Vibrant strokes of red, blue, yellow, and green pop against the white field, subtly evoking the sleek linearity associated with Mondrian. The choice is more than a mere stylistic nod. It channels the directness of primary tones, granting the painting a sense of engineered clarity. They serve to break down the environment into a syncopated dance of color, calling to mind the artist’s parallel fascination with jazz rhythms.

Technique here is at once orderly and energetic. The lines are laid down in a manner reminiscent of a careful architect’s blueprint, yet there is a playful looseness in the way shapes crisscross and overlap. The flat application of color seems almost schematic, revealing an artist who values structure as much as spontaneity. Subtle variations in line weight further animate the scene, setting a visual tempo that moves the eye around the canvas.

Most striking of all is how the composition fixes our attention. The foreground figures - perhaps a foreman and an investor - act as a human bridge into this realm of industrial promise. Their position guides us inward, forcing us to navigate each precise line and plane that intersects the space. From there, diagonal angles and vertical markers gently shuttle our gaze back and forth, encouraging an ongoing discovery of details, like a blueprint in flux.

In the end, there is a sense of both anticipation and reflection. The two men, physically small yet visually central, symbolize humankind’s curiosity about an evolving age of technology. They are dwarfed by the looming shapes but remain essential to their meaning. By uniting modernist abstraction with the era’s industrial surge, the painting underscores the powerful synergy of man and machine - all rendered through the interplay of elegant lines and precisely chosen hues.

More Fine Art Prints by Stuart Davis

Mural for Studio B, WNYC, Municipal Broadcasting Company by Stuart Davis, 1939
SKU: 19559-STD
Stuart Davis
Original Size:213.4 × 335.3 cm
Metropolitan Museum of Art, New York, USA
Shapes of Landscape Space 3 by Stuart Davis, 1940
SKU: 19560-STD
Stuart Davis
Original Size:39.4 × 49.5 cm
Public Collection
Arboretum by Flashbulb by Stuart Davis, 1942
SKU: 19561-STD
Stuart Davis
Original Size:45.7 × 91.4 cm
Metropolitan Museum of Art, New York, USA
The Mellow Pad by Stuart Davis, 1945

The Mellow Pad 1945

Canvas Print
$61.58
SKU: 19562-STD
Stuart Davis
Original Size:66.7 × 107 cm
Brooklyn Museum of Art, New York, USA
Little Giant Still Life by Stuart Davis, 1950
SKU: 19563-STD
Stuart Davis
Original Size:83.8 × 109.2 cm
Virginia Museum of Fine Arts, Richmond, USA
Visa by Stuart Davis, 1951

Visa 1951

Canvas Print
$71.95
SKU: 19564-STD
Stuart Davis
Original Size:101.6 × 132 cm
Museum of Modern Art, New York, USA
Semé by Stuart Davis, 1953

Semé 1953

Canvas Print
$71.95
SKU: 19565-STD
Stuart Davis
Original Size:132 × 101.6 cm
Metropolitan Museum of Art, New York, USA
Something on the Eight Ball by Stuart Davis, c.1953/54
SKU: 19566-STD
Stuart Davis
Original Size:142.2 × 114.3 cm
Philadelphia Museum of Art, USA
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