Le Bois des Roches, Veneux-Nadon, 1880 by Alfred Sisley
Canvas Print - 14270-ASI

Location: Louvre Museum, Paris, France
Original Size: 73 × 54.5 cm

Le Bois des Roches, Veneux-Nadon by Alfred Sisley (1880) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 35.4 × 26 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $68.64 USD

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SKU:14270-ASI
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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35.4″ × 26″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 15.9 in print therefore arrives as 24 × 18.2 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 35.4 × 26 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Alfred Sisley's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 73 × 54.5 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Louvre Museum, Paris, France. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Alfred Sisley’s "Le Bois des Roches, Veneux-Nadon" (1880) is an exquisite study in quietude, capturing the nuanced beauty of a winter’s day along a woodland path. The scene unfolds with a kind of graceful restraint - bare branches reaching across a pale, overcast sky, while a narrow trail winds its way through a sparse forest by the river. Sisley’s palette here is delicate, almost monochromatic, dominated by muted blues, soft greys, and earthy tones, which lend the painting a melancholic charm. There is a sense of solitude in this landscape, an invitation to pause, to breathe in the crisp air, to notice the subtle shifts in light and color.

Sisley places his viewer on this muddy path, drawing the eye down the trail as it curves out of sight. The trees arch overhead, their branches thin and skeletal, crisscrossing the sky in a lacework of lines. On the left, the river meanders quietly, its surface a blend of soft greens and silvery reflections, interrupted only by a lone boat drifting across the water. These details are small, almost incidental, yet they are integral to the atmosphere Sisley creates - a world that feels suspended in time, tranquil and untouched.

The brushwork is gentle, impressionistic in the truest sense, with Sisley using broken strokes that capture the fleeting effects of light. Each stroke seems to dissolve into the next, creating a soft, shimmering texture that mirrors the subtle movements within the landscape. The trees and undergrowth are painted with a lightness that suggests fragility, while the path, dappled with remnants of leaves, feels almost tactile, as if you could reach out and feel the rough earth beneath your fingers. It’s a landscape that holds together through suggestion rather than precision, evoking a moment that is both intimate and ephemeral.

"Le Bois des Roches, Veneux-Nadon" is a testament to Sisley’s ability to find beauty in the overlooked corners of nature. There is no grandeur here, no sweeping vistas or dramatic contrasts - just the quiet, unassuming elegance of a wooded path by the water. Sisley captures a world that is not meant to dazzle, but to comfort, to envelop the viewer in its gentle embrace. His scene speaks of observation, patience, and a deep sensitivity to the rhythms of the natural world. In this painting, Sisley offers us a place to linger, to slow down, to be reminded of the serene beauty that exists in the most unassuming landscapes.

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Canal du Loing by Alfred Sisley, 1884

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Rue Eugène Moussoir at Moret: Winter by Alfred Sisley, 1891
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Alfred Sisley
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Sahurs Meadows in Morning Sun by Alfred Sisley, 1894
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Regatta at Molesey, near Hampton Court by Alfred Sisley, 1874
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Saint-Mammès, Canal du Loing by Alfred Sisley, 1885
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Alfred Sisley
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Road Along the Seine at Saint-Mammès by Alfred Sisley, c.1880
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Alfred Sisley
Original Size:73.6 × 54.3 cm
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