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Carnation, Lily, Lily, Rose, c.1885/86 by John Singer Sargent
Canvas Print - 1731-SAR

Location: Tate Gallery, London, UK
Original Size: 174 × 153.7 cm

Own a museum-grade giclée Canvas Print of Carnation, Lily, Lily, Rose by Sargent (c.1885/86). It is printed with archival pigments on 400 g/m² canvas and hand-varnished with a UV-protective layer. Set your exact proportional size—anything up to 31.5 × 27.8 in, with optional framing. Free worldwide shipping for rolled artworks. Unframed prints ship within 48 h, framed prints in 7-8 days. Guaranteed 100-year color durability.

Carnation, Lily, Lily, Rose, c.1885/86 | Sargent | Giclée Canvas Print
Video of TopArtPrint Giclée Printing Process Giclée Art Print Quality - Video

Giclée Canvas Print | $75.26 USD

Your Selection

SKU:1731-SAR
Print Size
Condition:

Customize Your Print

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 31.5 × 27.8 in
*Max framing size: Long side up to 28"

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Your Questions Answered: Fine Art Prints, Framing, Care & Delivery

Giclée Print Quality 400 g/m² Canvas (Satin Gloss) + 1.2 in Borders for Stretching 100+ Year Colour Guarantee Free WorldWide Shipping!

Giclée (pronounced 'zhee-clay') is a French term meaning 'to spray,' referring to how ink is precisely sprayed onto canvas or paper, creating incredibly detailed fine art prints. It’s the gold standard in museum-quality printing, loved by artists, galleries, and museums worldwide.

Your artwork will be printed on premium canvas using vibrant archival inks, faithfully capturing every brushstroke and subtle nuance of Sargent's original. To ensure lasting beauty, each print is finished with a protective UV varnish. Far superior to ordinary posters, your canvas print will look and feel like a real painting, retaining its vivid colors and pristine details for more than 100 years.

About Giclée Fine Art Printing

Here's a simple trick: use painter’s tape to mark the print size directly on your wall, and step back to see how it feels. Generally, larger sizes around 36 in wide work beautifully in living rooms or open spaces. Medium sizes around 24 in fit nicely in bedrooms, hallways, or offices. Hanging it above a sofa? Choose a print that's roughly two-thirds the width of your couch. Still unsure? Start with our popular 21.7 × 19.1 in size—it fits comfortably in most spaces!

For a more artistic approach: choosing a size closer to the original artwork ensures you experience the artist’s intended visual impact and authenticity. Of course, since most of us don't live in spacious baroque palaces, your available space and personal taste should ultimately guide your decision.

In many cases, yes! If you need a specific size to fit a particular space or frame, feel free to reach out—we're happy to see what’s possible. Because each print is made to order, we can often accommodate custom dimensions as long as they respect the proportions of the original painting.Just send us an email at info@topartprint.com with the title of the artwork and the size you're looking for. We’ll get back to you quickly with options and pricing.

Good to know: when you choose the size of your artwork, the Print Size shown in the Your Selection box refers to the actual image area—that’s the part you’ll see once the canvas is stretched or framed.

The Total Size includes an additional 1.2 in white border on each side, added specifically for stretching.
So yes—this white border is added on top of your selected print size. You get the full artwork at the dimensions you picked, plus extra canvas to make stretching smooth and professional.

For example, if you select a 21.7 × 19.1 in print, the full canvas you receive will measure 24.0 × 21.5 in—giving your framer plenty of room to create a clean, gallery-quality stretch.

Both options are wonderful choices! Going unframed gives you maximum flexibility—you can take your print to a local framing shop for personalized options and expert advice tailored to your décor. This is especially great if you have specific design ideas or want to match existing frames in your home.

However, keep in mind that a print truly comes to life when properly framed. Art professionals often say: 'The frame contributes 30% of the artwork’s overall impact.' A well-chosen frame elevates and completes your print.

If you choose our framing option, your print will arrive professionally framed and ready to hang right out of the box. We focus exclusively on traditional framing methods, ensuring every artwork receives the respectful presentation it deserves—this is why we don't offer gallery wrap options.

Important shipping note: Due to courier restrictions, we can ship framed prints up to 28 in on the longest side. Larger prints will arrive safely rolled in a tube, ready for you to frame locally.

For more detailed information, please see our complete guide to fine art framing methods.

We've carefully selected this premium canvas because it brings out the absolute best in Sargent's work. Made from natural cotton with a 400 g/m² weight, it has just the right texture to capture every brushstroke and detail of the original painting.

What makes our canvas special? The satin-gloss finish. Think of how paintings look in museums with that beautiful varnish—that's exactly the effect we're going for. This glossy surface makes colors pop with incredible vibrancy while giving deep, rich blacks that matte canvases simply can't achieve. The result? Your print has that authentic 'real painting' look with extraordinary depth and life.

Plus, our canvas is acid-free and pH-neutral, so it'll stay beautiful for generations. We believe Carnation, Lily, Lily, Rose deserves nothing less than this museum-quality treatment.

Every print is made just for you—no mass production here! Once you place your order, we begin creating your Carnation, Lily, Lily, Rose print with care and precision.

Unframed prints are crafted in 1–3 business days.
Framed prints take 7–8 business days to build and finish.

Shipping options:
Standard Delivery (Free): Up to two unframed prints per order, arriving in 10–14 working days.
Express Shipping: Delivered in 2–4 working days; costs vary by weight, volume, and destination. After adding the artwork to your cart, use the Shipping estimates tool there for exact pricing.

Note for framed prints: Because they’re bulkier and higher-value, framed artworks ship only via express tracked service and do not qualify for free standard delivery.

Packaging:
Unframed prints: Safely rolled in postal tubes.
Framed prints: Packed in reinforced boxes with corner protectors and bubble wrap.

You’ll receive a tracking number as soon as your order leaves our studio—so you can follow every step of its journey!

It’s super easy! Your giclée print is designed to last over 100 years when properly displayed. We’ve already applied a UV-protective varnish, so there’s no need for any extra treatments on your part.

Just follow these simple tips:
  • Hang your print away from direct sunlight and high humidity
  • Dust gently with a soft, dry cloth if needed
  • Avoid touching the printed surface directly
  • Keep the room temperature relatively stable
That’s it! With these basic precautions, your Sargent print will retain its vibrant colors and pristine condition for generations to come.

We want you to truly love your art. Since each piece is custom-made just for you, we kindly recommend double-checking the size and details before placing your order. But if something’s not right—especially in terms of quality—we’re here to help and will make it right.

We offer a 30-day return policy and accept returns for items damaged during shipping. Our return process is simple and straightforward:
Step 1 – Let us know: Send an email to info@topartprint.com with your order number and a brief explanation of the issue.
Step 2 – Send it back: We’ll reply with clear instructions for returning the print. Please return it in its original packaging and in good condition. Once we receive it, we’ll either send a replacement or issue a refund, depending on the situation.
Please note: shipping costs are non-refundable.

For framed artworks: Since framed prints are handcrafted specifically for your order, returns are accepted only at our discretion and require a valid reason. But don’t worry—our support team is friendly, responsive, and ready to assist.

About the Painting

In "Carnation, Lily, Lily, Rose," John Singer Sargent masterfully captures a fleeting moment of twilight, a scene that feels both serene and quietly magical. The two young girls - Dolly and Polly Barnard - stand absorbed in their task of lighting paper lanterns, their faces softly illuminated by the warm glow. The painting is not simply a portrait of children at play but a meditation on light itself, in all its subtlety and nuance. Here, Sargent is not concerned with grand gestures or narratives. Instead, he invites us into a quiet world of delicate observation, where the interplay between natural light and the artificial glow of the lanterns becomes the true subject.

Sargent’s use of light is extraordinary. The paper lanterns, with their warm, peachy glow, become small beacons of warmth against the deep greens of the garden. The light reflects off the girls' white dresses, making them appear almost spectral, softly glowing in the cool twilight air. The folds of their dresses are rendered with precision, yet Sargent’s brushwork remains loose enough to suggest the movement of light across fabric. There is a striking contrast between the luminous dresses and the surrounding darkness of the garden - a space teeming with flowers, particularly lilies, roses, and carnations, which give the painting its lyrical title.

What is remarkable here is Sargent's ability to convey mood through color and composition without falling into sentimentality. The girls are absorbed in their lanterns, unaware of the viewer, their profiles gently silhouetted by the light. The delicate, pale tones of their skin and clothing are offset by the deep greens and purples of the foliage. Sargent’s brushstrokes in the flowers and leaves are more expressive and loose, giving a sense of lush, vibrant growth - yet this is all tempered by the coolness of the dusk. The overall effect is one of quiet intimacy, a scene caught in a moment of stillness just as day gives way to night.

Sargent’s technique, which allows him to capture the fleeting quality of light at dusk, is nothing short of remarkable. He worked on this painting over several summers, painting only during the brief window each evening when the light was just right. The precision with which he captures this “in-between” time of day - neither fully day nor fully night - gives the painting its haunting, dreamlike quality. The soft glow of the lanterns contrasts with the fading natural light, making it feel as though the entire scene could evaporate at any moment.

The composition is deceptively simple, yet every element works in harmony to create a sense of balance and tranquility. The girls, with their backs to us, are positioned slightly off-center, guiding our gaze towards the glowing lanterns and the flowers surrounding them. The garden is lush but not overwhelming, with the flowers appearing like gentle bursts of color amidst the cooler tones of the foliage. Sargent has carefully composed the scene, cropping the left side of the canvas to concentrate our focus on the interaction of the children with the light. This deliberate narrowing of scope creates a more intimate and immersive experience.

In "Carnation, Lily, Lily, Rose," Sargent offers us a work of quiet elegance, a painting that draws the viewer in through its subtle mastery of light and atmosphere. It is a piece that whispers rather than shouts, yet its impact is profound. The evocation of a specific time of day, the play of light on the girls’ dresses and the soft glow of the lanterns, all work together to create a scene of peaceful enchantment.

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