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Oriana, 1861 by Anthony Frederick Augustus Sandys
Canvas Print - 7716-SAN

Location: Tate Gallery, London, UK
Original Size: 25.1 × 19 cm

Oriana by Sandys (1861) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 20.1 × 14.1 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Oriana by Anthony Frederick Augustus Sandys, 1861 - canvas print
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Giclée Canvas Print | $61.81 USD

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SKU:7716-SAN
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Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
20.1″ × 14.1″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 11.2 × 7.9 in print therefore arrives as 13.6 × 10.2 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 20.1 × 14.1 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Sandys's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 25.1 × 19 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Tate Gallery, London, UK. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Sandys' "Oriana" is a mesmerizing portal into a world of Pre-Raphaelite splendor. This 1861 masterpiece draws us in with its exquisite attention to detail and rich, jewel-like colors that seem to glow from within.

The painting's focal point is the striking profile of a young woman - Oriana herself. Her delicate features are rendered with astonishing precision, every curl of her auburn hair lovingly delineated against a vibrant blue sky. A thin red band adorns her head, adding a dash of vivid color that echoes the rosy flush of her cheeks.

What truly captivates is the sumptuous golden cloak draped across Oriana's shoulders. Sandys has outdone himself here, creating a textile so richly detailed you can almost feel its weight and texture. The intricate brocade pattern shimmers with life, each tiny floral motif a testament to the artist's remarkable skill and patience.

The background offers a tantalizing glimpse of a medieval landscape. A bridge spans a river, leading the eye to a distant castle perched atop rolling hills. This romantic vista, rendered in softer focus, provides the perfect counterpoint to the sharp clarity of the foreground figure.

Sandys' technique is nothing short of extraordinary. His meticulous approach, inspired by 15th-century Flemish masters, results in a painting of almost photographic realism. Yet there's a dreamlike quality to the work, a sense of timelessness that transcends mere representation. "Oriana" is more than a portrait - it's a window into a world of poetry, romance, and exquisite beauty.

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The Boy Martyr by Anthony Frederick Augustus Sandys, 1862

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