A Canal in Venice, c.1875 by Martín Rico y Ortega
Canvas Print - 14949-OYR

Location: Metropolitan Museum of Art, New York, USA
Original Size: 50.2 × 68 cm

A Canal in Venice by Martín Rico y Ortega (c.1875) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 19.2 × 26 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $69.74 USD

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SKU:14949-OYR
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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19.2″ × 26″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 16 × 21.7 in print therefore arrives as 18.3 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 19.2 × 26 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Martín Rico y Ortega's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 50.2 × 68 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Metropolitan Museum of Art, New York, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In "A Canal in Venice," c.1875, Martin Rico y Ortega presents a vision of Venice that feels almost tangible, rooted in both observation and an understanding of the city’s uniquely fluid character. The painting invites us into a sun-drenched moment, where architecture, nature, and human life are seamlessly woven together. There is an intimacy here, a sense of quiet narrative unfolding against the vastness of the Venetian backdrop.

Rico’s palette is luminous, dominated by the blues of the sky and water, punctuated by the warm tones of the sunlit buildings. The reflection of the palazzi in the water is rendered with extraordinary delicacy, emphasizing Rico’s technical skill. Light becomes a subject in itself, defining the forms of the architecture and the figures along the canal. His handling of color creates a harmony between the man-made and the natural - the interplay of light and shadow on the buildings, as well as the movement of the water, gives the scene an almost musical rhythm.

The stately presence of the Palazzo Soranzo-Van Axel is central to the composition, but Rico softens its grandeur by surrounding it with details that humanize the scene. The children playing at the water’s edge, echoed by the dancing putti statues, add a playful touch, grounding the painting in everyday life. These figures serve as a counterbalance to the stillness of the architecture, bringing a sense of movement and spontaneity to the scene.

What is particularly striking in Rico’s work is his ability to capture the transient quality of Venice - a city defined by light and water. His technique, marked by precision yet imbued with warmth, invites the viewer to linger, to explore the way reflections distort and reveal. "A Canal in Venice" is not merely a depiction of a place; it is a meditation on the passage of time, the play of light, and the delicate balance between permanence and change.

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A Canal in Venice (Un canal en Venecia) by Martín Rico y Ortega, c.1903
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