At the Concert (Box at the Opera), 1880 by Pierre-Auguste Renoir
Canvas Print - 1905-RPA

Location: The Clark Art Institute, Williamstown, USA
Original Size: 99.2 × 80.6 cm

At the Concert (Box at the Opera) by Renoir (1880) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 33 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $74.93 USD

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SKU:1905-RPA
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 33″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 17.3 in print therefore arrives as 24 × 19.6 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 33 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Renoir's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 99.2 × 80.6 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in The Clark Art Institute, Williamstown, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Pierre-Auguste Renoir’s "At the Concert (Box at the Opera)," completed in 1880, is a sublime celebration of late 19th-century Parisian society and the opulent ritual of attending the opera. This painting, housed at The Clark Art Institute, immerses us in the vibrant atmosphere of a theatre box, capturing a moment steeped in elegance and anticipation.

The composition features two women, their intimacy and contrasting appearances drawing us into their world. The woman on the left, likely the elder, exudes a gentle charm with her slightly distant yet contemplative gaze. She is adorned in a sumptuous black dress, the neckline embellished with delicate floral embroidery, hinting at a quiet sophistication. Her gloved hands add a touch of refinement, and her rosy cheeks suggest a moment of absorbed reflection.

Beside her, the younger woman, seen in profile, leans in closer, perhaps whispering a secret or a keen observation about the performance. Her long, dark hair cascades down her back, and her white dress, juxtaposed against the darker tones, highlights her youthful vibrancy. She clutches a bouquet of vivid pink roses, a symbol of the evening's romantic and ephemeral pleasures.

Renoir’s brushwork is characteristically fluid and luminous, bringing a sense of movement and life to the scene. The rich, velvety backdrop, likely the lush curtains of the opera box, frames the figures, enhancing the intimate setting. The interplay of light and shadow on their faces and attire is masterfully rendered, capturing the glow of the opera lights and the shimmer of high society.

This painting is not merely a depiction of two women at an opera; it is a window into the cultural heartbeat of Renoir’s Paris, a testament to the artist’s ability to weave narrative and emotion into his portrayal of contemporary life.

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