The Blank Signature, 1965 by René Magritte
Canvas Print - 18517-MAG

Location: National Gallery of Art, Washington, USA
Original Size: 81.3 × 65.1 cm

The Blank Signature by René Magritte (1965) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 33.1 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $74.94 USD

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SKU:18517-MAG
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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41.3″ × 33.1″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 17.3 in print therefore arrives as 24 × 19.7 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 33.1 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of René Magritte's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 81.3 × 65.1 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in National Gallery of Art, Washington, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In "The Blank Signature," Magritte orchestrates one of his most elegant visual paradoxes, a deceptively simple scene that undermines our basic understanding of spatial relationships. At first glance, we see a composed equestrian portrait set within a forest, but this conventional subject quickly dissolves into something far more destabilizing.

The painting's power lies in its precise manipulation of pictorial logic. The horse and rider, rendered in warm browns and muted mauve, appear to exist simultaneously in front of and behind the forest's vertical elements. Magritte achieves this impossible spatial relationship through meticulous attention to edges and overlapping forms, creating a visual puzzle that the mind cannot resolve. The trees, with their methodically painted bark and verdant canopy, become the bars of a cage that both contains and releases its subjects.

Magritte's technique here is characteristically precise and controlled. His brushwork is deliberately uninflected, creating smooth, almost photographic surfaces that lend the impossible scene a documentary credibility. The forest is rendered in a hierarchy of greens - from deep forest to bright spring hues - while the dappled ground beneath suggests filtered sunlight through leaves. This naturalistic treatment makes the spatial impossibility all the more unsettling.

The composition plays with classical equestrian portraiture conventions while subtly subverting them. The rider sits with proper Victorian dignity, her posture suggesting a world of social order and rational behavior. Yet this very propriety makes the spatial disruption more profound - she appears trapped within the forest's impossible geometry, a proper lady caught in the net of surrealist logic.

Created in 1965, the painting reflects Magritte's mature style, where his earlier aggressive surrealist juxtapositions had evolved into more subtle philosophical propositions about reality and representation. The title, "The Blank Signature," suggests an unsigned document - perhaps a contract with reality itself that remains deliberately uncompleted. The painting stands as a quiet challenge to our assumptions about visual space and the reliability of perception, delivered with Magritte's characteristic combination of precision and poetry.

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1 Review

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Miglė Verified Buyer
Love love love the print quality, the shipping (in Europe) was incredibly fast, and Michael is super helpful answering all my questions. Highly recommend TopArtPrint to anyone who wants beautiful artworks at home! ❤️❤️❤️

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