The Sistine Madonna, 1513 by Raffaello Sanzio Raphael
Canvas Print - 2046-RSA

Location: Gemäldegalerie Alte Meister, Dresden, Germany
Original Size: 269.5 × 201 cm

The Sistine Madonna by Raphael (1513) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 55.9 × 41.2 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $68.98 USD

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SKU:2046-RSA
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
55.9″ × 41.2″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 15.9 in print therefore arrives as 24 × 18.3 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 55.9 × 41.2 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Raphael's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 269.5 × 201 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Gemäldegalerie Alte Meister, Dresden, Germany. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In "The Sistine Madonna," Raphael conjures a vision of the divine that feels both monumental and deeply human. The Virgin Mary, holding the Christ child, emerges from a swirling mass of clouds, as if stepping from another realm. Yet her expression grounds her in a poignant reality - a mother aware of the weight of her son’s fate. The Christ child, though held in his mother’s arms, exudes a solemnity beyond his years, his small hand lifted in a gesture of serene authority. Raphael presents this celestial pair not as distant icons but as figures imbued with a palpable sense of destiny.

What immediately draws the eye is the interplay of color. Mary’s rich blue robe anchors the composition, its deep hue contrasted against the soft, golden tones of the two saints beside her. Saint Sixtus, in his golden vestments, leans forward with an intense humility, gesturing toward the earthly realm as if drawing attention to the sacred moment unfolding. On the other side, Saint Barbara gazes downward in quiet reflection, her vibrant greens and reds adding a subtle energy to the otherwise serene scene. Raphael balances the figures with exquisite care, allowing each to hold their own emotional space within the composition.

The lush green curtains framing the scene are a reminder of the theatricality inherent in religious art. It’s as if the painting is a revelation, the divine truth unveiled before our eyes. And then, at the bottom, are the two cherubs, perhaps the most famous detail. Their innocent, almost casual postures provide a gentle contrast to the solemnity above. They peer upward with wide-eyed curiosity, as if contemplating the mysteries unfolding in front of them. They are both part of and apart from the divine, a subtle touch of humanity that invites the viewer in.

Raphael’s technique is as precise as it is tender. The smooth transitions from light to shadow, the delicate rendering of flesh, fabric, and sky - all come together to create an image that feels timeless. "The Sistine Madonna" is not merely a representation of the sacred, but a meditation on the profound intersection of the divine and the human. It speaks of grace, not only in its subject matter but in its execution, making it one of the most quietly powerful works of the Renaissance.

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