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Discovery of Achilles on Skyros, c.1649/50 by Nicolas Poussin
Canvas Print - 15666-PON

Location: Boston Museum of Fine Arts, USA
Original Size: 97.5 × 131 cm

Discovery of Achilles on Skyros by Nicolas Poussin (c.1649/50) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 30.7 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Discovery of Achilles on Skyros by Nicolas Poussin, c.1649/50 - canvas print
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Giclée Canvas Print | $69.66 USD

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SKU:15666-PON
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Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
30.7″ × 41.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 16.1 × 21.7 in print therefore arrives as 18.5 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 30.7 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Nicolas Poussin's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 97.5 × 131 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Boston Museum of Fine Arts, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Nicolas Poussin’s "Discovery of Achilles on Skyros," created around 1649-50, is a masterclass in narrative clarity and compositional control. Poussin invites us into a moment from Greek mythology, but rather than focusing on the spectacle, he emphasizes the tension and psychology of the scene. Achilles, draped in red, is caught between two worlds - the domestic sphere where he has hidden in disguise among women, and the martial reality he is destined for. His posture is conflicted, leaning forward in a moment of revelation, as the women surrounding him present him with a helmet - the unmistakable emblem of his true identity as a warrior.

Poussin’s color palette is bold, but nothing feels overwhelming. The reds, blues, and yellows play against each other in a kind of visual harmony, yet they underscore the emotional intensity of the moment. The richness of the fabrics and the flow of drapery add texture and depth, turning what could have been a static composition into something that feels almost theatrical. The figures move within this drama in carefully choreographed gestures - nothing is accidental here. Poussin's figures are like actors on a stage, each playing their part in the unfolding story with a sense of deliberate gravitas.

The architectural setting further heightens the classical tone. The imposing columns and distant landscape act as a visual counterpoint to the tightly packed figures. This is not just a scene of personal revelation, but one placed within the larger framework of destiny and heroism. The juxtaposition of stillness and tension defines the painting, as Poussin orchestrates a quiet yet profound moment of transformation.

What makes this work so compelling is Poussin’s intellectual rigor. His figures are not simply characters in a myth but representations of larger ideals - duty, fate, and identity. There’s a moral dimension to how the scene is structured, a deliberate examination of the inevitability of destiny. Poussin’s disciplined technique underscores the drama, yet nothing is excessive. It’s this balance - between the grand and the intimate, the heroic and the human - that makes this painting so enduring.

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