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White Flower, 1929 by Georgia O'Keeffe
Canvas Print - 3867-OKF

Location: Cleveland Museum of Art, USA
Original Size: 76.2 × 91.5 cm

White Flower by O'Keeffe (1929) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 29.5 × 35.4 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

White Flower by Georgia O'Keeffe, 1929 - canvas print
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Giclée Canvas Print | $78.67 USD

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SKU:3867-OKF
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
29.5″ × 35.4″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 18 × 21.7 in print therefore arrives as 20.4 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 29.5 × 35.4 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of O'Keeffe's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 76.2 × 91.5 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Cleveland Museum of Art, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Georgia O’Keeffe’s White Flower, 1929, is a work that transcends the mere depiction of a bloom—it is a deep dive into the very soul of the natural world. The painting is an oversized, intimate portrait of a single white flower, magnified to the point where its details envelop the viewer, inviting not just observation but an immersive experience. O’Keeffe strips away the boundaries of form and scale, turning the flower into an abstracted landscape of sensuous curves and delicate folds.

The petals, rendered in creamy whites with subtle shades of yellow and green, unfurl gracefully from the center, where a cluster of vibrant yellow stamens pulsates with life. There’s a palpable tension between the softness of the petals and the almost aggressive burst of color at the flower’s heart. The petals seem to float, defying gravity, creating a dynamic interplay of light and shadow that brings a sense of movement to the canvas.

O’Keeffe’s brushstrokes are tender yet deliberate, capturing the ephemeral beauty of the flower while imbuing it with a monumental presence. This is not just a flower; it is a symbol of life’s fragility and resilience, a meditation on the purity and power of nature. The edges of the painting blur into soft blues and greens, hinting at an abstracted environment, perhaps the sky or water, framing the flower in a timeless, almost ethereal space.

In White Flower, O’Keeffe compels us to look closer, to see the beauty in the details and to appreciate the profound simplicity of nature. It’s a visual poem, a masterful blend of realism and abstraction that challenges the viewer to find the extraordinary in the ordinary.

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