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Ritz Tower, 1928 by Georgia O'Keeffe
Canvas Print - 18542-OKF

Location: Public Collection
Original Size: 102.2 × 35.6 cm

Ritz Tower by O'Keeffe (1928) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 14.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Ritz Tower by Georgia O'Keeffe, 1928 - canvas print
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Giclée Canvas Print | $62.34 USD

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SKU:18542-OKF
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 14.3″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 7.5 in print therefore arrives as 24 × 9.8 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 14.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of O'Keeffe's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 102.2 × 35.6 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a public collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Georgia O'Keeffe’s “Ritz Tower,” 1928, is a monument to the sky-grazing vanity of modern America, but it’s far from a simple cityscape. O'Keeffe doesn't just paint a building - she takes the cold, hard heart of Manhattan and gives it a mysterious, almost cosmic pulse. This isn’t an ordinary skyscraper; it’s a towering silhouette that seems to vibrate with a strange energy, its edges bleeding into the deep, velvety night. It’s as though the tower is consuming the darkness, swallowing the sky and spitting it back out as light.

What’s most striking is how O'Keeffe uses color - not like any regular painter of architecture, but like a magician. The blackness of the building isn’t oppressive; it’s seductive, like it’s pulling you into its depth. Then there’s the blue of the sky - not some flat, everyday sky blue, but a dense, dramatic blue that wraps around the tower like a velvet cloak. Those clouds, meanwhile, drift past with a kind of hypnotic, dreamlike quality - their rippling softness a delicious contrast to the tower’s harsh verticality.

The windows, meanwhile, are scattered like a constellation of mismatched stars, glowing with this strange yellow light that feels both warm and detached. They hint at life inside, but it’s distant, unreachable. And then, of course, there’s that bold, central orb of the moon - not quite the moon as you know it, but a stark, haunting presence that stares back at you, floating just above the chaos of human ambition.

O'Keeffe doesn't just paint a building - she paints a vision of modernity that is at once awe-inspiring and quietly ominous, as though the city itself is alive, brooding, and watching.

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