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London, Parliament with the Sun Breaking through the Fog, 1904 by Claude Monet
Canvas Print - 2521-MCL

Location: Musée d'Orsay, Paris, France
Original Size: 81 × 92 cm

London, Parliament with the Sun Breaking through the Fog by Claude Monet (1904) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 27.9 × 31.5 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

London, Parliament with the Sun Breaking through the Fog by Claude Monet, 1904 - canvas print
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Giclée Canvas Print | $82.83 USD

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SKU:2521-MCL
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Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
27.9″ × 31.5″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 19.2 × 21.7 in print therefore arrives as 21.6 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 27.9 × 31.5 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Claude Monet's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 81 × 92 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Musée d'Orsay, Paris, France. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Claude Monet’s "London, Parliament with the Sun Breaking Fog," 1904, is a whisper of a painting - a murmur of light and shadow caught between waking and sleeping. This isn’t just London. It’s London suspended in time, draped in a fog that clings to the Thames like a ghostly shawl. Parliament, that grand and solemn building, emerges from the mist like a faint memory, its towering spires softened into mere suggestions of form. You can see it, but only just. It’s as if the structure is being erased by the very light that tries to reveal it.

Monet, ever the poet with a brush, doesn’t simply paint a scene; he paints an atmosphere, a mood. The sun here is no blazing orb but a delicate smudge of warmth that barely punctures the cool, violet fog. It’s a reluctant sun, hesitant to assert itself, content to let the mist have its way. And the water - oh, the water! It’s a liquid mirror, reflecting the soft blush of the sky, with ripples of pink and orange teasing the surface.

What makes this painting so compelling is its refusal to settle. It’s a picture of indecision, of a world caught between visibility and invisibility, solidity and vapor. Monet’s brushstrokes are light, almost airy, as if the paint itself might evaporate if you stare too long. The colors bleed into one another, creating a sense of continuity between land, sky, and river that defies the usual boundaries.

This is not just a view of London; it’s an experience of London as seen through the eyes of a man who understood that light can do more than reveal - it can transform, it can mystify, and, at its best, it can make the familiar feel achingly new.

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