Poppies near Vétheuil, c.1879 by Claude Monet
Canvas Print - 2507-MCL

Location: E.G. Bührle Collection, Zurich, Switzerland
Original Size: 73 × 92 cm

Poppies near Vétheuil by Claude Monet (c.1879) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 26.9 × 33.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $74.43 USD

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SKU:2507-MCL
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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26.9″ × 33.9″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 17.2 × 21.7 in print therefore arrives as 19.6 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 26.9 × 33.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Claude Monet's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 73 × 92 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in E.G. Bührle Collection, Zurich, Switzerland. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Claude Monet’s “Poppy Field near Vétheuil” is a piece that captures not just a landscape but a fleeting moment in time - a field alive with the hum of summer and the tranquility of rural France. The eye is immediately drawn to the blanket of poppies in the foreground, a sea of red that vibrates against the lush greens. Monet doesn’t delineate each flower individually; instead, he uses quick, impressionistic strokes, as though painting the very pulse of the field. The figures among the poppies - perhaps children, perhaps villagers - are ghostly presences, delicate splashes of white and blue that barely break the surface of the wild, floral expanse.

The sky above is layered with soft blues and gentle grays, a cloudy expanse that seems to stretch endlessly. It has a serene, almost melancholic quality, with wisps of light clouds that suggest the slow drift of time. The dark, tall trees on the horizon act as sentinels, guarding the field, their vertical forms contrasting with the wide sweep of the sky. Beyond them, the village of Vétheuil rests quietly on the hillside, a faint impression of rooftops and spires, painted in subdued tones that allow the village to sink into the landscape rather than dominate it. Monet’s brushstrokes here are light and delicate, rendering the town with a certain dreamlike softness.

Monet’s technique is deliberate, yet it carries the illusion of spontaneity. The strokes are loose, almost playful, capturing the shimmer of light on the flowers, the sway of grass in the breeze. The reds of the poppies - so bold against the muted greens and blues - create a sense of movement, as if the flowers themselves are part of a dance with the wind. Monet achieves a harmonious balance between the vibrancy of nature and the stillness of human presence, a contrast that imbues the scene with quiet emotion.

In “Poppy Field near Vétheuil,” Monet presents a world where nature and humanity coexist peacefully, each one blending into the other. The field is not just a setting but a character, breathing life into the scene with its colors, its textures, and its untamed beauty. It is a meditation on simplicity and the profound beauty of the ordinary, a window into the artist’s enduring affection for the landscapes of his home. This work captures the very essence of Impressionism - a momentary impression that lingers, rich with color and feeling.

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