Women in the Garden, 1866 - Canvas Print
Claude Monet

Location: Musee d'Orsay, Paris, France
Original Size: 255 x 205 cm
Women in the Garden, 1866 | Claude Monet | Giclée Canvas Print
Claude Monet | Women in the Garden, 1866 | Giclée Canvas Print

Giclée Canvas Print | $73.11 USD

SKU:2461-MCL
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 29.9 x 23.7 in
*Max framing size: Long side up to 28"

in Height
in Width

"Women in the Garden" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Women in the Garden" by Claude Monet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

At the time Monet painted this artwork, he had already embraced painting outdoors, following the advice of Boudin, whom he met in 1858, and the Dutch painter Johan Jongkind, whom he credited for the refinement of his artistic vision. "Women in the Garden" serves as a precursor to the Impressionist style. Executed en plein air, it demonstrates Monet's fascination with capturing the nuances of natural light. The composition deliberately truncates at the edges, aiming to preserve the spontaneity of a sketch. Nevertheless, the brushwork retains a somewhat traditional quality, the figures display a foundation in draughtsmanship, and Monet pays attention to details that would eventually fade away in his later works.

To paint this expansive 3-meter canvas, Monet had to excavate a trench to reach its top. On one occasion, the landscape painter Gustave Courbet visited him. Finding Monet not working, Courbet asked why, to which Monet replied that he was "awaiting the sun." Courbet suggested that Monet paint the background while waiting, but Monet insisted that everything had to be painted under the same lighting conditions.

In 1867, the Salon rejected this artwork, with Zola being the sole defender of its extraordinary effects of light and shadow intersecting the path and the women.

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