Impression, Sunrise (Soleil Levant), 1872 - Canvas Print
Claude Monet

Location: Musee Marmottan Monet, Paris, France
Original Size: 50 x 65 cm
Impression, Sunrise (Soleil Levant), 1872 | Claude Monet | Giclée Canvas Print
Claude Monet | Impression, Sunrise (Soleil Levant), 1872 | Giclée Canvas Print

Giclée Canvas Print | $58.38 USD

Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 27.3 x 35.4 in
*Max framing size: Long side up to 28"

in Height
in Width

"Impression, Sunrise (Soleil Levant)" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Impression, Sunrise (Soleil Levant)" by Claude Monet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

In 1874, a collection of artists, spearheaded by Monet and his associates, discontent with relying on the official Salon's selection for recognition, organized an exhibition to display their creations. The event featured 30 artists, such as Boudin, Cézanne, Degas, Guillaumin, Morisot, Pissarro, Renoir, and Sisley, and showcased pieces that exemplified the novel artistic approach. However, critics vehemently opposed this new style. They were appalled by the contemporary themes, the seemingly incomplete appearance of the paintings created outdoors, the absence of refined drawing skills, and the vivid, unadulterated colors used to represent transient light effects.

"Impression: Sunrise," a sketch drawn one early morning at the Le Havre docks, is the piece that birthed the term 'Impressionism.' The label first appeared in a satirical publication where a critic, claiming to have attended the exhibition with a student of Ingres (famed for his drawing expertise), reacted to the artworks by exclaiming, 'Eheu, I am an impression on legs, the avenging palette knife.'

Subsequently, another article distinguished Monet, Degas, Renoir, Sisley, Morisot, and Pissarro, meticulously outlining their unique styles and dubbing them Impressionists, 'in the sense that they do not produce a landscape but rather convey the sensation produced by the landscape.' Despite the varying styles, subjects, and techniques, the term persisted and was applied to all artists associated with this innovative aesthetic.

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