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The Seine at Argenteuil, 1875 by Claude Monet
Canvas Print - 10869-MCL

Location: Private Collection
Original Size: 59.8 × 79.8 cm

The Seine at Argenteuil by Claude Monet (1875) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 22.3 × 29.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

The Seine at Argenteuil by Claude Monet, 1875 - canvas print
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Giclée Canvas Print | $69.83 USD

1 Review

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SKU:10869-MCL
Print format
Print/Image Size
Rolled
Production: 2 Workdays
Free Shipping
Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
22.3″ × 29.9″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 16.1 × 21.7 in print therefore arrives as 18.5 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 22.3 × 29.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Claude Monet's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 59.8 × 79.8 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a private collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Ah, The Seine at Argenteuil, 1875—Claude Monet at the height of his powers, capturing the very essence of light and air with brushstrokes that feel as if they were placed by the whims of a summer breeze. This painting is more than just a depiction of a riverbank; it's a visual poem, a celebration of the ephemeral beauty of nature. The Seine, that grand artery of Parisian life, here becomes a tranquil mirror reflecting the sky’s delicate blues and whites, where the clouds seem to dissolve into the water as if they were made of the same ethereal substance.

Monet’s touch is light, almost impossibly so, as if he’s barely tethered to the physical world. The scene is suffused with a vibrant clarity, yet there’s a haze, a suggestion that we are only seeing a fleeting moment, soon to be gone with the next gust of wind. The figures along the path, mere dashes of color, are incidental—secondary to the overwhelming presence of nature. They stroll lazily, unhurried, as if they too are part of the landscape, rather than separate from it.

The real subject here is not the people, or even the Seine itself, but the play of light and shadow, the way the sun filters through the leaves, dappling the path and shimmering on the water. Monet doesn’t just paint a scene; he paints the sensation of being there—the warmth of the sun, the coolness of the river’s breeze, the quiet rustle of leaves. It’s a masterclass in the Impressionist belief that reality is not fixed, but a series of fleeting impressions.

1 Review

1 Review

4.00 Overall rating

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Great print Verified Buyer
Great print, but not clear if Archival inkt was used or not. Either way still great

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