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Chrysanthemums, 1897 by Claude Monet
Canvas Print - 10736-MCL

Location: Private Collection
Original Size: 130.1 × 88.5 cm

Chrysanthemums by Claude Monet (1897) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 27.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Chrysanthemums by Claude Monet, 1897 - canvas print
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Giclée Canvas Print | $63.19 USD

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SKU:10736-MCL
Print format
Print/Image Size
Rolled
Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 27.9″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Also Available as Oil Painting Reproduction

Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 14.6 in print therefore arrives as 24 × 17 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 27.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Claude Monet's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 130.1 × 88.5 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original is in a private collection. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

"Chrysanthemums" by Claude Monet. This 1897 piece is a riot of color - a floral explosion that makes you feel like you've stumbled into some mad gardener's fever dream.

Monet's gone all out with his palette here. We've got yellows that pop like little suns, purples deep enough to drown in, and pinks that dance on the edge of garish. The whites add a touch of serenity, but only just.

The flowers themselves? They're everywhere. Chrysanthemums, obviously, but painted with such abandon that they've become something else entirely. They're not quite flowers anymore, more like colorful bursts of pure joy.

Composition-wise, it's chaos - but the good kind. Your eye doesn't know where to land first. It's all foreground, no background, just an endless sea of blooms. It's like Monet said, "Perspective? Who needs it? Let's just have flowers all the way down."

The technique is pure Impressionism, but pushed to its limits. Monet's not painting flowers - he's painting the idea of flowers, the feeling of standing in a garden on a bright summer's day, overwhelmed by color and life.

Look closely, and you'll see individual brushstrokes - dabs and flicks of paint that somehow come together to form this vibrant whole. It's a masterclass in how to make something look effortless while being anything but.

"Chrysanthemums" isn't just a painting - it's a mood, a season, a celebration. It's Monet showing off, really, proving he can capture the essence of nature without bothering with pesky details like stems or leaves. It's bold, it's beautiful, and it's just a bit bonkers. In other words, it's Monet at his finest.

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