Snow Scene at Argenteuil, 1875 by Claude Monet
Canvas Print - 10603-MCL

Location: National Gallery, London, UK
Original Size: 71.1 × 91.4 cm

Snow Scene at Argenteuil by Claude Monet (1875) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 32.5 × 41.3 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $73.75 USD

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SKU:10603-MCL
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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32.5″ × 41.3″
Framing: Long Side Up to 28"
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Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 17 × 21.7 in print therefore arrives as 19.4 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 32.5 × 41.3 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Claude Monet's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 71.1 × 91.4 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in National Gallery, London, UK. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Technique often provides the surest entry point into Monet’s approach, and in this painting one can see the artist’s brush guiding the eye from the weighted foreground to the muted distance. Thick strokes of paint suggest the substance of accumulated snow beneath the figures’ feet, while more delicate, calligraphic lines describe the spindly branches overhead. Monet appears to have laid down the broadest elements of ground and sky first, creating a luminous base before drawing in the serpentine cart tracks and feathery boughs. This balance of solid impasto and near-invisible haze makes the canvas feel both tangible and evanescent.

A closer look at the composition reveals how those winding ruts in the road are more than incidental details - they serve as a deliberate pathway, ushering us deeper into Argenteuil. The procession of figures, trudging slowly into the distance, reinforces the vanishing perspective, while the faintly visible church and subtle outlines of buildings slip in and out of view. The sparse placement of human activity emphasizes the stillness, making the atmosphere of early evening - and its accompanying hush - seem palpable.

Just as essential is the color palette, surprisingly spare yet far from monotonous. Whites, greys, and whispery blues predominate, merging and dissipating in the overcast sky. Within this subdued range, cooler notes punctuate the scene - a bit of red shimmer among the branches on the left, a matching hue in the meandering cart tracks, and a deep blue reflected in the figures’ clothing and distant windows. These echoes subtly knit the composition together, demonstrating Monet’s knack for weaving visual harmony.

Beyond its formal qualities, one cannot overlook the modern world lurking just behind the fog. Argenteuil was no remote hamlet. It thrived on industrial growth, connected to Paris by a short train ride. Families, day-trippers, and laborers alike wove through its streets, braving winters that could transform familiar roadways into hushed white thoroughfares. This painting stands as one of eighteen that capture the particularly harsh winter of 1874-5, and while many of Monet’s smaller snow scenes relay more anecdotal moments, this larger canvas concentrates on mood. The vision here is expansive, immersive, and firmly of its time - a record of a suburb on the cusp of modernization, momentarily veiled by the softening power of snow.

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