Playing a Fish, c.1875/95 by Winslow Homer
Canvas Print - 15779-HOM

Location: The Clark Art Institute, Williamstown, USA
Original Size: 29.7 × 48 cm

Playing a Fish by Winslow Homer (c.1875/95) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 17.3 × 28 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:15779-HOM
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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17.3″ × 28″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 11.7 × 18.9 in print therefore arrives as 14.1 × 21.3 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 17.3 × 28 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Winslow Homer's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 29.7 × 48 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in The Clark Art Institute, Williamstown, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In this masterful study of solitude and concentration, Homer captures the precise moment of tension between man and nature. A lone figure sits poised in a dark canoe, his fishing rod arced against the luminous sky, engaged in that timeless ritual of the catch. The composition speaks volumes about American identity in the late 19th century, presenting not just a sporting scene but a meditation on humanity's relationship with the wilderness.

The painting's restricted palette achieves remarkable atmospheric effects. Homer works primarily in muted tones - the pearlescent sky reflected in the water creates a diffused, crepuscular light that bathes the scene in subtle gradations of cream and grey. The dark mass of the canoe and its occupant provide stark contrast, their silhouette breaking the horizontal serenity of the water line. This interplay between light and shadow transforms a simple fishing scene into something approaching the metaphysical.

Homer's technique here reveals his mature mastery of oil paint. His brushwork is economical yet precise, particularly evident in the way he handles the water's surface - broad, horizontal strokes capture both its stillness and its subtle movement. The reworking of the canvas some twenty years after its inception has resulted in a profound simplification of elements, with Homer stripping away extraneous detail to reach the essential truth of the scene. The transformation of the original rowboat into a canoe speaks to this process of refinement.

The composition employs classical principles while remaining distinctly American. The horizontal bands of sky, hills, and water create a stable framework, while the vertical figure and the diagonal fishing rod introduce dynamic tension. This arrangement, combined with the figure's positioning slightly off-center, suggests both balance and movement. The painting emerges as a quintessential expression of American Realism, yet its contemplative mood and sophisticated handling of light point toward more modern sensibilities. Here is the American wilderness not as theatrical spectacle, but as a space of quiet communion between man and nature.

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