Tiger in a Tropical Storm (Surprised!), 1891 by Henri Rousseau (Le Douanier)
Canvas Print - 5597-ROH

Location: National Gallery, London, UK
Original Size: 129.8 × 162 cm

Own a museum-grade giclée Canvas Print of Tiger in a Tropical Storm (Surprised!) by Henri Rousseau (1891). It is printed with archival pigments on 400 g/m² canvas and hand-varnished with a UV-protective layer. Set your exact proportional size—anything up to 41.2 × 52 in, with optional framing. Free worldwide shipping for rolled artworks. Unframed prints ship within 48 h, framed prints in 7-8 days. Guaranteed 100-year color durability.

Tiger in a Tropical Storm (Surprised!), 1891 | Henri Rousseau | Giclée Canvas Print

Giclée Canvas Print | $73.15 USD

Your Selection

SKU:5597-ROH
Print Size
Unframed Prints are Produced in 2-4 Business Days.

Customize Your Print

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Largest available: 41.2 × 52 in
*Framing: long side up to 28"

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Your Questions Answered: Fine Art Prints, Framing, Care & Delivery

Giclée Print Quality 400 g/m² Canvas (Satin Gloss) + 1.2 in Borders for Stretching 100+ Year Colour Guarantee Free WorldWide Shipping!

Most people search for “canvas print” or “wall art” - but what they’re really looking for is a giclée print: a museum-grade reproduction of the original masterpiece, printed with archival pigment inks on fine art canvas.

Giclée (pronounced 'zhee-clay') is a French term meaning 'to spray,' referring to how ink is precisely sprayed onto canvas or paper, creating incredibly detailed fine art prints. It’s the gold standard in museum-quality printing, loved by artists, galleries, and museums worldwide.

Your artwork will be printed on premium canvas using vibrant archival inks, faithfully capturing every brushstroke and subtle nuance of Henri Rousseau's original. To ensure lasting beauty, each print is finished with a protective UV varnish. Far superior to ordinary posters, your canvas print will look and feel like a real painting, retaining its vivid colors and pristine details for more than 100 years.

About Giclée Fine Art Printing

Here's a simple trick: use painter’s tape to mark the print size directly on your wall, and step back to see how it feels. Generally, larger sizes around 36 in wide work beautifully in living rooms or open spaces. Medium sizes around 24 in fit nicely in bedrooms, hallways, or offices. Hanging it above a sofa? Choose a print that's roughly two-thirds the width of your couch. Still unsure? Start with our popular 17.2 × 21.7 in size—it fits comfortably in most spaces!

For a more artistic approach: choosing a size closer to the original artwork ensures you experience the artist’s intended visual impact and authenticity. Of course, since most of us don't live in spacious baroque palaces, your available space and personal taste should ultimately guide your decision.

In many cases, yes! If you need a specific size to fit a particular space or frame, feel free to reach out—we're happy to see what’s possible. Because each print is made to order, we can often accommodate custom dimensions as long as they respect the proportions of the original painting.Just send us an email at info@topartprint.com with the title of the artwork and the size you're looking for. We’ll get back to you quickly with options and pricing.

Good to know: when you choose the size of your artwork, the Print Size shown in the Your Selection box refers to the actual image area—that’s the part you’ll see once the canvas is stretched or framed.

The Total Size includes an additional 1.2 in white border on each side, added specifically for stretching.
So yes—this white border is added on top of your selected print size. You get the full artwork at the dimensions you picked, plus extra canvas to make stretching smooth and professional.

For example, if you select a 17.2 × 21.7 in print, the full canvas you receive will measure 19.5 × 24.0 in—giving your framer plenty of room to create a clean, gallery-quality stretch.

Both options are wonderful choices! Going unframed gives you maximum flexibility—you can take your print to a local framing shop for personalized options and expert advice tailored to your décor. This is especially great if you have specific design ideas or want to match existing frames in your home.

However, keep in mind that a print truly comes to life when properly framed. Art professionals often say: 'The frame contributes 30% of the artwork’s overall impact.' A well-chosen frame elevates and completes your print.

If you choose our framing option, your print will arrive professionally framed and ready to hang right out of the box. We focus exclusively on traditional framing methods, ensuring every artwork receives the respectful presentation it deserves—this is why we don't offer gallery wrap options.

Important shipping note: Due to courier restrictions, we can ship framed prints up to 28 in on the longest side. Larger prints will arrive safely rolled in a tube, ready for you to frame locally.

For more detailed information, please see our complete guide to fine art framing methods.

We've carefully selected this premium canvas because it brings out the absolute best in Henri Rousseau's work. Made from natural cotton with a 400 g/m² weight, it has just the right texture to capture every brushstroke and detail of the original painting.

What makes our canvas special? The satin-gloss finish. Think of how paintings look in museums with that beautiful varnish—that's exactly the effect we're going for. This glossy surface makes colors pop with incredible vibrancy while giving deep, rich blacks that matte canvases simply can't achieve. The result? Your print has that authentic 'real painting' look with extraordinary depth and life.

Plus, our canvas is acid-free and pH-neutral, so it'll stay beautiful for generations. We believe Tiger in a Tropical Storm (Surprised!) deserves nothing less than this museum-quality treatment.

Every print is made just for you—no mass production here! Once you place your order, we begin creating your Tiger in a Tropical Storm (Surprised!) print with care and precision.

Unframed prints are crafted in 2–4 business days.
Framed prints take 7–8 business days to build and finish.

Shipping options:
Standard Delivery (Free): Up to two unframed prints per order, provided that the short side does not exceed 59 cm (approx. 23 inches), with delivery in 10–14 working days.
Express Shipping: Delivered in 2–4 working days; costs vary by weight, volume, and destination. After adding the artwork to your cart, use the Shipping estimates tool there for exact pricing.

Note for framed prints: Because they’re bulkier and higher-value, framed artworks ship only via express tracked service and do not qualify for free standard delivery.

Packaging:
Unframed prints: Safely rolled in postal tubes.
Framed prints: Packed in reinforced boxes with corner protectors and bubble wrap.

You’ll receive a tracking number as soon as your order leaves our studio—so you can follow every step of its journey!

It’s super easy! Your giclée print is designed to last over 100 years when properly displayed. We’ve already applied a UV-protective varnish, so there’s no need for any extra treatments on your part.

Just follow these simple tips:
  • Hang your print away from direct sunlight and high humidity
  • Dust gently with a soft, dry cloth if needed
  • Avoid touching the printed surface directly
  • Keep the room temperature relatively stable
That’s it! With these basic precautions, your Henri Rousseau print will retain its vibrant colors and pristine condition for generations to come.

We want you to truly love your art. Since each piece is custom-made just for you, we kindly recommend double-checking the size and details before placing your order. But if something’s not right—especially in terms of quality—we’re here to help and will make it right.

We offer a 30-day return policy and accept returns for items damaged during shipping. Our return process is simple and straightforward:
Step 1 – Let us know: Send an email to info@topartprint.com with your order number and a brief explanation of the issue.
Step 2 – Send it back: We’ll reply with clear instructions for returning the print. Please return it in its original packaging and in good condition. You cover return shipping (unless we sent a damaged/incorrect item). After inspection, we'll send a replacement or refund the product price.
Please note: shipping costs are non-refundable.

For framed artworks: Since framed prints are handcrafted specifically for your order, returns are accepted only at our discretion and require a valid reason. But don’t worry—our support team is friendly, responsive, and ready to assist.

About the Painting

Rain falls in fine silver-grey lines across the entire surface, a translucent veil that unifies everything – foliage, sky, animal, air – into a single shimmering screen. Henri Rousseau painted these diagonal stripes over the finished composition, each one echoing the long blades of grass, the drooping leaves, and the dark bars on the tiger's back. The technique recalls Hiroshige's woodblock prints, where rain becomes a graphic element as much as a meteorological one. Here it does something similar: it flattens the already compressed space further, turning a jungle scene into something closer to decorated textile.

The tiger crouches low among tall grasses, teeth bared, body taut. Its posture is ambiguous. A bolt of lightning cracks the sky at upper right, and one might read the animal as flinching from the storm – but the arched back and forward lean suggest predatory intent. Rousseau later called this painting A Tiger Chasing Explorers, and darkened traces above the grasses on the right may be remnants of prey he painted out. That double reading – fear and ferocity compressed into one body – gives the image its peculiar tension.

Green dominates, but what green. Rousseau layers at least a dozen distinct tones: deep viridian in the central tree trunks, warmer olive in the drooping fronds, sharp yellow-green where new growth catches whatever diffused light filters through. Russet and red punctuate the right side – possibly flowering plants or autumn-touched leaves – breaking the wall of green with hot, almost aggressive notes. The palette feels lush without ever becoming naturalistic. Every leaf is painted with the same even attention, foreground and background alike, so depth barely exists. Distance and proximity sit on the same plane.

Rousseau built this picture section by section, completing one area before moving to the next. He also used a pantograph to trace outlines onto the canvas, which may explain why the tiger hovers slightly above the ground rather than pressing into it. There is no weight to the animal, no sense of muscle bearing down on soil. And yet its face – those wide eyes, that open mouth – carries genuine menace. The expression is less zoologically accurate than emotionally direct, perhaps drawn from stuffed specimens at the Jardin des Plantes in Paris, or from domestic cats observed at closer quarters.

This was Henri Rousseau's first jungle painting, exhibited at the Salon des Indépendants in 1891 under the title Tiger in a Tropical Storm (Surprised!). He had never set foot outside France. His jungles were assembled from houseplants, botanical garden visits, taxidermy displays, and magazine illustrations – an invented tropics more psychologically real than any photograph. The young Swiss artist Félix Vallotton, reviewing the Salon, wrote that Rousseau's tiger "ought not to be missed" and praised the pitiless sincerity of the work. Vallotton sensed what still comes through standing before it at the National Gallery in London: a complete commitment to a private vision that owes nothing to academic convention.

You can almost hear the rain – a steady, vertical hiss cutting through heavy air. Delacroix painted big cats with Romantic fury; Rousseau paints his with the calm certainty of a man arranging a dream. The naivety of the handling, the absence of conventional perspective, the meticulous patterning – these are not deficiencies. They are the grammar of an entirely self-taught imagination, one that Picasso himself recognized when he hosted a now-legendary banquet for Rousseau in 1908. Perhaps what makes this painting endure is precisely its refusal to look like anything else. It is strange, earnest, and a little eerie – a storm you watch from inside someone else's mind.

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