Late Afternoon, New York, Winter, 1900 by Frederick Childe Hassam
Canvas Print - 5236-HSS

Location: Brooklyn Museum of Art, New York, USA
Original Size: 94 × 73.7 cm

Late Afternoon, New York, Winter by Hassam (1900) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 24 × 18.9 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $73.58 USD

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SKU:5236-HSS
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
24″ × 18.9″

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 17 in print therefore arrives as 24 × 19.4 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 24 × 18.9 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Hassam's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 94 × 73.7 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Brooklyn Museum of Art, New York, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In "Late Afternoon, New York, Winter," Frederick Childe Hassam offers us not just a view of the city but an immersion into its atmosphere - a winter day slowly fading into evening. The scene is bathed in a soft, almost ghostly light, where the buildings and figures are enveloped in a pale blue haze. Hassam’s use of color is subtle yet purposeful. Blues and greys dominate, but there are flickers of warmth - hints of pinks and yellows from the street lamps and windows that seem to pulse quietly in the cold. It’s a painting where the air feels thick, the snow muffling sound and sight, as the city itself seems to blur into the twilight.

Hassam’s technique is as delicate as the subject matter. His brushstrokes are light, almost whispering across the canvas, creating the sensation of snowfall and the misty quality of winter light. There’s a sense of immediacy in the scene, a fleeting moment captured just as it begins to fade. The figures, reduced to dark shapes, are not the focus but part of the fabric of the city, moving through it without fanfare. Hassam paints them as though they belong to the snow itself, just visible enough to remind us that life goes on, even in the stillness of winter.

The composition is both expansive and intimate. The wide avenue stretches before us, but the details - the lampposts, the carriages, the bare trees - pull us closer. The snow, falling quietly, softens the edges of everything, creating a sense of continuity between the elements of the scene. There’s no harshness here, no sharp contrasts, only the gentle interplay of light and shadow, cold and warmth. It’s a painting about mood, about the sensation of being in the city on such a day, where the world feels hushed and the snow transforms the familiar streets into something almost dreamlike.

Hassam masterfully captures not just the visual effects of winter but the emotional resonance it brings. It’s a painting that invites contemplation, as the city slows down under the weight of snow, caught between the bustling day and the quiet of night.

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