Portrait of a Lady in Turkish Fancy Dress, c.1790 by Jean-Baptiste Greuze
Canvas Print - 17719-JBG

Location: Los Angeles County Museum of Art, USA
Original Size: 116.8 × 90.8 cm

Portrait of a Lady in Turkish Fancy Dress by Jean-Baptiste Greuze (c.1790) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 31 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $70.08 USD

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SKU:17719-JBG
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 31″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 16.3 in print therefore arrives as 24 × 18.6 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 31 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Jean-Baptiste Greuze's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 116.8 × 90.8 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Los Angeles County Museum of Art, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Ah, Jean-Baptiste Greuze, the grand sentimentalist of 18th-century French painting, has crafted something truly captivating with his Portrait of a Lady in Turkish Fancy Dress, c. 1790. Here, we see Greuze indulging in the exoticism that was all the rage among European elites, particularly in France, where a fascination with the Orient—the imagined, luxurious East—infused the very air they breathed. But what’s most striking in this portrait is how the artist marries this vogue for “Turquerie” with the delicate sensibilities of his Rococo heritage.

The lady in question is resplendent, her elaborate dress a riot of rich textures and colors. The silk of her robe catches the light just so, accentuating the careful embroidery that hints at an exotic locale, yet the rendering is unmistakably French. Her pose, slightly casual with one hand resting gracefully on a stone pedestal, suggests a certain self-assurance, a woman of her time indulging in the playful fantasy of the East, but without losing her aristocratic poise.

Greuze’s treatment of her face is exquisite—soft, with that characteristic wistfulness he’s known for. There’s a serenity to her expression, almost as if she’s at ease within this sumptuous, imagined world. Yet, there’s an unmistakable undercurrent of melancholy, a nod, perhaps, to the fading aristocratic society that she represents.

This portrait is as much about the fantasies of the French court as it is about the woman herself. Greuze invites us to marvel at the sheer beauty of the artifice, while subtly hinting at the transitory nature of such grandeur. It’s a piece that, like the era it was painted in, teeters between the real and the imagined, the grand and the fragile.

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