The Icebergs, 1861 by Frederic Edwin Church
Canvas Print - 6857-CFE

Location: Dallas Museum of Art, USA
Original Size: 163.5 × 285.7 cm

The Icebergs by Frederic Edwin Church (1861) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 35.6 × 63 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:6857-CFE
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
35.6″ × 63″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 12.2 × 21.7 in print therefore arrives as 14.6 × 24 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 35.6 × 63 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Frederic Edwin Church's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 163.5 × 285.7 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Dallas Museum of Art, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

The Icebergs by Frederic Edwin Church is a spectacle of nature's raw power frozen in time. This massive canvas pulls you into a world of crystalline blues and ethereal whites, where colossal ice formations loom like ancient cathedrals. Church's meticulous brushwork captures every facet and fissure of these frozen giants, their surfaces alternating between glassy smoothness and jagged complexity.

The composition is brilliantly structured, with ice walls framing a central seascape that stretches to the horizon. A warm, rosy glow infuses the sky, creating a stark contrast with the cool blues and greens of the ice. This interplay of warm and cool tones imbues the scene with a sense of otherworldly beauty.

In the foreground, a broken ship's mast juts from the icy shore - a somber reminder of human fragility in the face of nature's might. It's a subtle yet poignant detail that adds narrative depth to the landscape.

Church's technique shines in his treatment of light and reflection. The way sunlight plays across the ice, creating subtle gradients and casting long shadows, is nothing short of mesmerizing. The still water mirrors the icebergs, doubling their imposing presence and creating a sense of infinite space.

What's truly remarkable is how Church manages to convey both the monumental scale of the scene and its most delicate details. From the grand sweeping forms of the icebergs to the tiny air bubbles trapped within the ice, every element is rendered with exquisite precision.

"The Icebergs" isn't just a painting - it's an immersive experience that transports the viewer to the ends of the earth. It's a testament to Church's skill as a painter and his ability to capture the sublime in nature.

More Fine Art Prints by Frederic Edwin Church

Niagara by Frederic Edwin Church, 1857

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Cotopaxi by Frederic Edwin Church, 1855

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Morning in the Tropics by Frederic Edwin Church, c.1858
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South American Landscape by Frederic Edwin Church, 1873
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A Catskill Landscape by Frederic Edwin Church, c.1858/60
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