Portrait of Bernhard von Reesen, 1521 by Albrecht Dürer
Canvas Print - 3047-DUA

Location: Gemäldegalerie Alte Meister, Dresden, Germany
Original Size: 45.5 × 31.5 cm

Portrait of Bernhard von Reesen by Dürer (1521) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 28.6 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $61.81 USD

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SKU:3047-DUA
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 28.6″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 17.9 × 12.4 in print therefore arrives as 20.3 × 14.8 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 28.6 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Dürer's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 45.5 × 31.5 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Gemäldegalerie Alte Meister, Dresden, Germany. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Albrecht Dürer's captivating "Portrait of Bernhard von Reesen" from 1521. This small yet potent canvas speaks volumes about the artist's evolving mastery and the changing social landscape of its time.

Dürer presents us with a striking close-up of a young man - confident, alert, almost bristling with potential. The sitter's gaze meets ours with unflinching directness, a visual handshake across the centuries. There's a palpable sense of character here, of an individual fully present in his moment.

The composition is deceptively straightforward. Our subject dominates the picture plane, his broad hat creating a dark frame that focuses our attention squarely on that compelling face. Dürer employs a restricted palette to great effect - deep blacks and warm earth tones punctuated by the crisp white of the collar. It's in the nuanced flesh tones that the artist's technical brilliance truly shines, building up layers of subtly varied hues to create an illusion of living, breathing skin.

Notice how Dürer has pared away extraneous detail, allowing the essential elements to speak with greater force. This economical approach lends the portrait a surprisingly modern feel. The background is reduced to a warm, ambiguous glow that seems to radiate from the sitter himself.

There's a tension here between stillness and implied motion. The slight turn of the head suggests we've caught our subject in mid-thought, lending the image a sense of psychological depth. Dürer isn't merely recording a likeness; he's capturing a fleeting moment of human consciousness.

This work marks a significant shift in Dürer's portraiture. Gone is the meticulous rendering of earlier pieces, replaced by a bolder, more immediate approach. It's as if the artist is striving to match the forward-looking energy of his subject - a harbinger of the self-assured burgher class reshaping European society.

In essence, Dürer gives us more than a portrait. It's a quiet manifesto of humanist values, an affirmation of individual worth rendered with extraordinary empathy and skill. The young man's steady gaze invites us into his world, bridging the gap of centuries with the shared language of human presence.

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