The Great Piece of Turf, 1503 by Albrecht Dürer
Fine Art Paper Print - 16234-DUA

Location: Graphische Sammlung Albertina, Vienna, Austria
Original Size: 40.8 × 31.5 cm

The Great Piece of Turf by Dürer (1503) is reproduced as a museum-quality giclée fine art paper print. Printed with archival inks on 180 g/m² paper and hand-varnished for UV protection, it can be made in any size up to 35.4 × 27.4 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Fine Art Paper Print | $58.54 USD

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SKU:16234-DUA
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Production: 2 Workdays
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Giclée Print Quality on 180 g/m² Fine Art Paper, Matt

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Largest Available
35.4″ × 27.4″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank paper on every side for framing.

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Questions about this Print

The size you set is the printed image, the part you see once the print is framed. Beyond that size we add 1.2 in of blank paper on every side, at no extra cost, so your framer has room to work. A 16.1 × 12.4 in print therefore arrives as 18.4 × 14.8 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 35.4 × 27.4 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is a work on paper: a watercolor, pastel, etching or drawing. We match the print medium to the original: works on paper go on fine art paper, oil paintings go on canvas. Our paper is pure cotton, 180 g/m² Fine Art Paper, finely textured and matte, free of optical brighteners, acids and lignin. It carries the dark densities and the fine detail of Dürer's original without any shine. More about our print media.

Start with the original, which measures 40.8 × 31.5 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Graphische Sammlung Albertina, Vienna, Austria. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

Albrecht Dürer's "The Great Piece of Turf" from 1503 is a watercolour that punches well above its modest size. At first glance, it's just a clump of grass - but look closer, and you'll see a whole universe.

Dürer gives us a worm's-eye view of a seemingly random patch of meadow. But there's nothing random about his meticulous rendering. Each blade of grass, each delicate flower stem, is observed with scientific precision and painted with poetic grace. It's as if Dürer had shrunk himself down to ant-size and wandered through this miniature jungle, cataloguing every leaf and petal.

The composition is deceptively simple - a dense tangle of greenery rising from a strip of earthy brown at the bottom. But within this apparent chaos, Dürer creates subtle rhythms and harmonies. Tall grasses sway and intersect, creating a lattice-like structure. Broader leaves provide visual anchors, their curves echoing one another across the picture plane.

Dürer's palette is restrained but nuanced. He works mainly in shades of green, from deep emerald to pale yellow-green, with touches of brown earth tones. But look closely and you'll spot tiny flecks of other colours - the rusty red of a plantain flower, the creamy white of a dandelion clock. These minute details bring the whole scene to vivid life.

The technique is nothing short of miraculous. Using watercolour - a notoriously unforgiving medium - Dürer achieves an almost photographic level of realism. Yet this isn't mere photorealism. There's a clarity and intensity to the image that goes beyond what the eye can see. It's as if Dürer has distilled the very essence of "grass-ness" into pigment and paper.

What elevates this from a botanical study to high art is Dürer's evident love for his humble subject. There's tenderness in the way he depicts each fragile stem, each unfurling leaf. He finds profound beauty in the overlooked and everyday - a revolutionary concept for his time, and one that still resonates today.

"The Great Piece of Turf" is more than just a painting of grass. It's a meditation on the wonder of the natural world, a celebration of life in its most elemental form. In Dürer's hands, a patch of weeds becomes a window into the infinite.

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