Dahlias, the Garden at Petit-Gennevilliers, 1893 by Gustave Caillebotte
Canvas Print - 555-GUC

Location: National Gallery of Art, Washington, USA
Original Size: 157 × 114 cm

Dahlias, the Garden at Petit-Gennevilliers by Caillebotte (1893) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 41.3 × 29.6 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $67.68 USD

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SKU:555-GUC
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
41.3″ × 29.6″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 15.5 in print therefore arrives as 24 × 17.9 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 41.3 × 29.6 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Caillebotte's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 157 × 114 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in National Gallery of Art, Washington, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In "Dahlias, the Garden at Petit-Gennevilliers," painted in 1893 by Gustave Caillebotte, the viewer steps into a scene that is as much about cultivated beauty as it is about the artist’s introspection. Caillebotte, an impressionist not often as highly regarded as Monet or Renoir in public memory, was nevertheless an essential contributor to the movement’s evolution. Here, he transforms a seemingly simple garden scene into a study of light, space, and personal attachment.

The focus is, of course, the garden, which Caillebotte himself designed with the care of a gardener fully immersed in the landscape he cultivated. The dahlias dominate the lower right-hand side of the canvas, creating a burst of lush foliage and vibrant blossoms. They are rendered with loose but deliberate brushstrokes that capture both their fleeting beauty and a sense of permanence. The way he juxtaposes their wild, natural abundance with the geometric clarity of the greenhouse in the background reveals his fascination with structure, not unlike the urban grids of his earlier Parisian scenes.

Caillebotte’s composition is meticulously arranged. The path to the house draws the eye gently into the depth of the canvas, balancing the intense colors of the foreground with the softer, diffused hues of the house, trees, and sky. The woman, likely his companion, stands almost dreamlike, detached yet embedded in the serenity of the garden. She is painted with a distant gentleness, as if she is momentarily caught in a quiet, private reflection. Her posture, delicate and natural, contrasts with the blooming dahlias, bringing a sense of stillness amid the garden’s energetic life.

The sky, with its light clouds, is treated in pastel tones, allowing the bolder greens, reds, and oranges below to shimmer. Caillebotte’s restrained handling of light lets the painting glow without overwhelming the viewer. The dappled sunlight on the path is a perfect example of his sophisticated use of shadow and light – it doesn’t shout but speaks volumes about the time of day and the atmosphere he sought to capture.

This painting, unlike his urban masterpieces, exudes a quiet joy – a love of nature, of home, and of the art of living. The scene is intimate, yet expansive, filled with Caillebotte’s signature blend of emotional depth and spatial clarity. One can almost hear the rustling leaves and feel the late summer warmth in the air. Here, Caillebotte offers us not just a view of his garden, but a glimpse into his tranquil retreat from the bustling city.

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