Young Mother Gazing at Her Child, 1871 by William-Adolphe Bouguereau
Canvas Print - 276-BWA

Location: Metropolitan Museum of Art, New York, USA
Original Size: 142.2 × 102.9 cm

Young Mother Gazing at Her Child by Bouguereau (1871) is reproduced as a museum-quality giclée canvas print. Printed with archival inks on 400 g/m² canvas and hand-varnished for UV protection, it can be made in any size up to 35.4 × 25.4 in, scaled proportionally, with optional framing. Free worldwide shipping available; unframed prints ship in 2 workdays, framed in 7 to 8. Guaranteed 100-year color durability.

Giclée Canvas Print | $67.54 USD

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SKU:276-BWA
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Production: 2 Workdays
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Giclée Print Quality on 400 g/m² Canvas, Satin/Gloss

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Largest Available
35.4″ × 25.4″
Framing: Long Side Up to 28"
Can be Framed

Sizes scale proportionally to the original. Dimensions shown are for the printed area - we always add 1.2 in of blank canvas on every side for stretching.

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Questions about this Print

The size you set is the printed image, the part you see once the canvas is stretched. Beyond that size we add 1.2 in of blank canvas on every side, at no extra cost, so the stretcher bars have something to grip. A 21.7 × 15.6 in print therefore arrives as 24 × 17.9 in. Both numbers are shown in Your Selection above and change with the slider.

Yes. The slider covers every size up to 35.4 × 25.4 in, always in the proportions of the original. If you need something larger, or a size that has to fit a frame you already own, write to us with the title and the dimensions and we will tell you what is possible. Every print is made to order, so there is usually a way.

Because the original is an oil painting on canvas. We match the print medium to the original: oil paintings go on canvas, works on paper go on fine art paper. Our canvas is natural cotton, 400 g/m² Canvas, acid-free and pH neutral, and its woven texture gives the most natural impression of Bouguereau's original oil painting. The finish is satin/gloss, which keeps the depth of the dark tones the way varnish does on a painting in a museum; a matte canvas looks dull and pale next to it. More about our print media.

Start with the original, which measures 142.2 × 102.9 cm. A print at or near that size reads the way the artist judged it. Printing smaller is easy; enlarging a small original changes its character. For the wall, above a sofa or a sideboard aim for two thirds to three quarters of the furniture width, and hang the center at eye level. Cut paper to size and tape it to the wall before you order. The original hangs in Metropolitan Museum of Art, New York, USA. Full size guide.
30-day returns on unframed prints. Shipping, framing, care and returns are covered in our Help & FAQ.

About the Painting

In Adolphe-William Bouguereau's "Young Mother Gazing at Her Child" from 1871, we witness a masterpiece of tenderness and domesticity. Bouguereau, known for his impeccable technique and idealized depictions of the human form, presents us with an intimate scene that is both profoundly simple and deeply evocative.

The composition centers on a mother, her expression soft and serene, as she cradles her naked child. The child, perched on her lap, is captured in a moment of innocent curiosity, gazing back at us with wide, inquisitive eyes. The mother’s face, turned downward, is suffused with a gentle smile, embodying a sense of maternal pride and boundless affection. The way she holds the child, with one arm supporting his back and the other resting gently on his side, speaks volumes of the protective and nurturing instincts innate to motherhood.

The setting is humble—a modest kitchen with rustic details like the worn stone floor and simple wooden furniture. Bouguereau’s attention to detail is remarkable, particularly in the rich textures of the mother’s white blouse, the lush embroidery of the shawl draped over the child, and the subtle play of light across their skin. The warmth of the scene is further enhanced by the soft, diffused light that envelops the pair, creating a halo-like effect around them, almost as if time has paused to preserve this moment of pure, unfiltered love.

Bouguereau, often criticized for his sentimentalism, here transcends such judgments by tapping into something universal and timeless—the bond between mother and child. In this painting, every brushstroke feels deliberate, every shadow and highlight meticulously placed, not just to showcase his technical prowess, but to elevate an everyday moment to the realm of the divine.

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